The Man Booker Prize is the world’s most distinguished literary award for English fiction. Its winners instantly acquire a level of fame and wealth which most writers could only dream of. 　　To commemorate its 50th birthday, this documentary looks back over the six decades of the prize, exploring how from humble beginnings the Booker quickly went on to revolutionise the sleepy world of literary fiction and become a central part of British cultural life. 　　We hear the inside story of scandal, gossip and intrigue from a host of former winners, judges and prize administrators. Over the years the prize has changed its rules, its sponsors and its name. But it’s never lost sight of its core purpose: to stimulate debate and encourage the reading of literary fiction. This is a tale of bruised egos, bickering judges, and most importantly of all of - countless brilliant books. 　　Contributors include Booker winning authors Peter Carey, Penelope Lively and John Banville.

第一夜（2010-09-27）駈込み訴え 　　主演：香川照之 　　导演：西川美和 　　第二夜（2010-09-28）カチカチ山 　　主演：満島ひかり 　　导演：高田雅博 　　第三夜（2010-09-29） グッド・バイ 　　朗読：UA 　　导演：福井利佐

doglovecathttp://i.mtime.com/doglovecat/　　故事根据19世纪传奇的盗墓者和连环杀手的真实故事改编，“布克和海尔”是一对当时盗墓人，在进行了一段盗墓生意后，威廉·布克（西蒙·佩吉　饰）和威廉·海尔（安迪·瑟金斯　饰）终于发现了一笔大买卖，他们在19世纪的爱丁堡，将盗取的尸体提供给当时的医学机构拿去解剖，以便进行科学研究，以此获得了巨大的商业利润。但是渐渐地，他们的行为愈发大胆，以至于杀害无辜者，将其尸体贩卖，最终，在17个受害人命丧黄泉后，他们也迎来了自己的末日。

由糸曽贤志独立制作的动画

在滑冰之路上受挫的青年·明浦路司，与憧憬花样滑冰的少女·结束祈相遇。司被祈对滑冰的执着打动，主动担任了她的教练。天赋不断绽放的祈，作为指导者不断成长的司。二人结成搭档，目标是成为光荣的“金牌得主”！

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.