主演缺少王往 WangWang，饰演“沙鸿儒”按戏份肯定应排在前五位之内啊

A series of horror shorts all under the banner of the mysterious 'Local 58' channel.

A series of horror shorts all under the banner of the mysterious 'Local 58' channel.

凯文·史派西主演的新片《皮特58》首曝预告，这是凯文·史派西因性侵丑闻沉寂近五年之后面世的新作。该片也在本届戛纳电影节上亮相。影片故事发生在一个小镇上，一名具有魅力的神秘男子(史派西 饰)被他强大而黑暗的老板派遣而来。

EVOLVE Championship Match Timothy Thatcher defends vs. Matt Riddle / EVOLVE Tag Team Championship Match - If Nese & Konley Lose They Can't Team Again: Johnny Gargano & Drew Galloway defend vs. The Premier Athlete Brand of Anthony Nese & Caleb Konley w/ So Cal Val & Andrea / Best In The World Challenge Series - The Flyer: Zack Sabre Jr. vs. Will Ospreay / Tag Team Challenge Match: Heros. Eventually. Die. of Chris Hero & Tommy End vs. Catch Point of Drew Gulak & Tracy Williams / Special Attraction Match: Ricochet vs. TJ Perkins / Special Challenge Match #1: Sami Callihan vs. Ethan Page / Special Challenge Match #2: Marty Scurll vs. Fred Yehi

I saw this obscure German film in Toronto in 1956, my first exposure to Oskar Werner. A "sleeper" of a movie for me, but so long ago and it seems never to be seen again. The topic has been treated many times but never, I think, to such effect. The last days in the bunker are entirely through the wondering subjective eyes of Werner, as Captain Wuest, a rather unimportant guardsman. Hitler and his henchmen are always kept at a distance, the way Wuest views them from his station, and what stands out in my memory is the finale of a drunken champagne party as though in celebration of something, but in reality as their means to forget the impending doom looming ahead as the Russians can be heard closing in. The problem with films portraying famous or infamous people is that they are almost always unbelievable because we are unwilling to suspend our disbelief, aware that they are actors up there trying to imitate the unknowable. Here, at least for the English speaking audience, the problem does not arise, we understand only through subtitles, and we hear the characters speaking in their own language. And, thank God, it is in black and white. The impact of the film stays with me still, and of course, Werner was a major revelation.

In Wittelbacherpalais, Munich's prison and Gestapo center, middle-aged Else Gebel awaits trial for carrying anti-Nazi material. She serves as a clerk in the Gestapo office. On Thursday, 18 February 1943, two youths arrive at the prison, arrested for carrying anti-Reich pamphlets and suspected of dropping leaflets from the university tower and painting anti-Hitler signs along Ludwigstraße: Sophie, 21, and her brother Hans, 24 and back from the Russian front. Sophie is housed with Else, and for five days, as Sophie is interrogated and charges brought, the women form a bond based on simple interactions: poetry, tea, shared clothing, courage, love of freedom, and a promise Else gives Sophie.

I saw this obscure German film in Toronto in 1956, my first exposure to Oskar Werner. A "sleeper" of a movie for me, but so long ago and it seems never to be seen again. The topic has been treated many times but never, I think, to such effect. The last days in the bunker are entirely through the wondering subjective eyes of Werner, as Captain Wuest, a rather unimportant guardsman. Hitler and his henchmen are always kept at a distance, the way Wuest views them from his station, and what stands out in my memory is the finale of a drunken champagne party as though in celebration of something, but in reality as their means to forget the impending doom looming ahead as the Russians can be heard closing in. The problem with films portraying famous or infamous people is that they are almost always unbelievable because we are unwilling to suspend our disbelief, aware that they are actors up there trying to imitate the unknowable. Here, at least for the English speaking audience, the problem does not arise, we understand only through subtitles, and we hear the characters speaking in their own language. And, thank God, it is in black and white. The impact of the film stays with me still, and of course, Werner was a major revelation.

本片根据曾在亚特兰大、悉尼、雅典以及北京等多届残奥会上获得多枚个人、团体金牌的，被誉为港版“阿甘”的香港运动员苏桦伟的真人真事改编，成年后的苏桦伟一角由他本人饰演。 苏桦伟自小患有眼黄疸病，成长中又罹患弱听、痉挛症等病，大脑与手脚极难协调，父（张国柱）、母（潘虹）很是担心他的未来，但他十分热爱跑步。十岁时，苏桦伟遇到义务执教香港残疾田径运动员的潘健吕，命运得以改变。他实现自我飞跃的背后，有正常人难以想象和付出的艰辛。

本片根据曾在亚特兰大、悉尼、雅典以及北京等多届残奥会上获得多枚个人、团体金牌的，被誉为港版“阿甘”的香港运动员苏桦伟的真人真事改编，成年后的苏桦伟一角由他本人饰演。 苏桦伟自小患有眼黄疸病，成长中又罹患弱听、痉挛症等病，大脑与手脚极难协调，父（张国柱）、母（潘虹）很是担心他的未来，但他十分热爱跑步。十岁时，苏桦伟遇到义务执教香港残疾田径运动员的潘健吕，命运得以改变。他实现自我飞跃的背后，有正常人难以想象和付出的艰辛。