Halloran plays a practical joke on a man named Johnny. He shows him a fake newspaper with a headline reading "World to End Tonight --- 11:45 P.M." Johnny believes the headline and decides to live it up. He gets into trouble and shoots someone. A few minutes before 11:45 he sees the real headline and realizes that he has been tricked. Johnny finds Halloran and shoots him. The reporter dies at 11:45.

Halloran plays a practical joke on a man named Johnny. He shows him a fake newspaper with a headline reading "World to End Tonight --- 11:45 P.M." Johnny believes the headline and decides to live it up. He gets into trouble and shoots someone. A few minutes before 11:45 he sees the real headline and realizes that he has been tricked. Johnny finds Halloran and shoots him. The reporter dies at 11:45.

In Basque language the verb heldu has a polysemic meaning. It can be ‘to hold’, ‘to grow’ or ‘to arrive’. The declined form heltzear means ‘about to’ all of those things. San Sebastián in the year 2000. The Basque Conflict is active. As she writes a letter to her absent brother, Sara, a fifteen-year-old climber, trains for the most difficult climb of her life. 　　DIRECTOR’S STATEMENT 　　Adolescence, climbing and the Basque Conflict are simply part of my biography. In Heltzear I wanted to juxtapose those three layers, without forcing any closed meanings, to see the relations that grow between them. I wanted to make a physical and sensorial film, which moves upwards, perhaps to find a more peaceful and calmer time.

In Basque language the verb heldu has a polysemic meaning. It can be ‘to hold’, ‘to grow’ or ‘to arrive’. The declined form heltzear means ‘about to’ all of those things. San Sebastián in the year 2000. The Basque Conflict is active. As she writes a letter to her absent brother, Sara, a fifteen-year-old climber, trains for the most difficult climb of her life. 　　DIRECTOR’S STATEMENT 　　Adolescence, climbing and the Basque Conflict are simply part of my biography. In Heltzear I wanted to juxtapose those three layers, without forcing any closed meanings, to see the relations that grow between them. I wanted to make a physical and sensorial film, which moves upwards, perhaps to find a more peaceful and calmer time.

流行偶像克莱尔沉浸在失去女儿的痛苦中，在一次日本巡演时，她突然去世变成了鬼魂，从此踏上了在来世寻找人性的旅程。

流行偶像克莱尔沉浸在失去女儿的痛苦中，在一次日本巡演时，她突然去世变成了鬼魂，从此踏上了在来世寻找人性的旅程。

The Orchard打造的影片[即将远离](And Then I Go，暂译)曝光首款预告，影片由阿曼·达博、贾斯汀·朗、梅兰妮·林斯基等主演，文森特·格拉肖执导。影片根据小说《X项目》(Project X)改编。故事围绕男孩埃德温(阿曼·达博饰)和其伙伴罗兵(索耶·巴斯饰)学校生活展开。该片北美4月18日上映。

The Orchard打造的影片[即将远离](And Then I Go，暂译)曝光首款预告，影片由阿曼·达博、贾斯汀·朗、梅兰妮·林斯基等主演，文森特·格拉肖执导。影片根据小说《X项目》(Project X)改编。故事围绕男孩埃德温(阿曼·达博饰)和其伙伴罗兵(索耶·巴斯饰)学校生活展开。该片北美4月18日上映。

”Kohta 18” (Almost 18), director and writer Maarit Lalli’s first feature film, has received positive responses from critics and audiences. The film tells five boys’ distinct yet interconnected stories. The common denominator for the stories is not only the boys’ friendship, but the struggles they face with their parents and themselves, while they are pursuing independence. In essence the movie is about youth as well as friend and family relationships. 　　The film manages to depict the lives of these five boys in Helsinki from a fresh perspective – the main characters are not troubled or extraordinary youths, but instead quite normal young men with everyday problems. The actors (even though they are amateurs) convince in their roles making their characters easily relatable, eliciting empathy from viewers. 　　《即将18 》是本片导演及编剧Maarit Lalli的首部故事片。迄今为止该片已经得到了电影评论家与观众的不少好评。该片讲述了五个男孩独特的却又互相关联的故事。将这些故事融合到电影中的是他们在追求独立时彼此间的兄弟情以及面对父母与自我时的奋斗挣扎。从本质上来说，这是一部关于青春、友情与亲情的电影。 　　该片成功地以全新的角度描绘了五位赫尔辛基男孩的生活：故事的主人公不是那些到处制造麻烦或者天赋异禀的年轻人，而是那些普通青年，他们遇到的是生活中常有的破事儿。通过演员们（虽然他们不是专业演员）的演绎，观众很容易产生共鸣，并能感同身受。

一群年轻的朋友必须以《书》为指导，在他们生存的眼前穿越混乱和破坏。