我们是否都曾创造一个“理想的朋友”来陪伴孤独的自己？《最好版本的马德里》是一段关于想象、自我投射与成长的内心旅程。导演以隐喻性的叙事结构，呈现出女孩“宇”与她从小幻想出的最好朋友“宙”之间复杂又诗意的对话关系。一个名叫“宇”的女孩，从童年起便幻想出一位叫“宙”的朋友。她们一同生活、一同逃避孤独、一同畅想未来。相比“宇”而言，“宙”是一个主体意识很强的女孩，她开始提出问题、质疑、离开，令“宇”不得不面对真正的自己。影片在现实与幻想之间游走：两人漫步、对话、沉默、相望，最后的分离也象征着“宇”开始学会一个人生活。最终，“宙”如影子般消散，“宇”则走入真实的阳光之中。

老人和年轻貌美的女学生，在封闭的空间交换不道德的激情！影片荣获2011年桑丹斯电影节“世界电影单元”特别奖。一位西班牙女大学生在接受记者采访时，迷上了这位老男人记者。他引诱她到他的房间，两个被锁在浴室，在这种奇怪场合里上演两天的不伦激战。

老人和年轻貌美的女学生，在封闭的空间交换不道德的激情！影片荣获2011年桑丹斯电影节“世界电影单元”特别奖。一位西班牙女大学生在接受记者采访时，迷上了这位老男人记者。他引诱她到他的房间，两个被锁在浴室，在这种奇怪场合里上演两天的不伦激战。

A secluded spot, condoms – and a couple of pointers from a friend, just in case: surely that is all they need to finally take things to the next level? The only problem is time. Early tomorrow morning Micaela is moving to Madrid, while Santiago is staying behind in Uruguay. Sometimes it’s best not to have too many fixed ideas about how things should go and to realise some experiences can still be shared, even with an ocean between the two of you. 　　源自：https://www.berlinale.de/en/2023/programme/202301391.html

A secluded spot, condoms – and a couple of pointers from a friend, just in case: surely that is all they need to finally take things to the next level? The only problem is time. Early tomorrow morning Micaela is moving to Madrid, while Santiago is staying behind in Uruguay. Sometimes it’s best not to have too many fixed ideas about how things should go and to realise some experiences can still be shared, even with an ocean between the two of you. 　　源自：https://www.berlinale.de/en/2023/programme/202301391.html

All of French documentary director Frederic Rossif's compilation films are models of the genre, some even more than that (as evidenced by Rossif's multiple industry awards). Most observers regard his 1963 work To Die in Madrid (Mourir a Madrid) as his masterpiece. Using painstakingly selected newsreel clips and still photos, Rossif thoroughly conveys the horror, disillusion and bravery of the Spanish Civil War. Movingly narrated by John Gielgud and Irene Worth, this film was nominated for an Academy Award. Before its successful worldwide distribution in 1965, generous portions of To Die in Madrid were incorporated into

梅里·罗曼曾是马德里同性恋场景的天后，她平凡的生活因父亲的去世而被颠覆，她与老朋友重新联系。他们一起回忆过去，开辟一条新的前进道路。

梅里·罗曼曾是马德里同性恋圈的风云人物，原本过着平凡生活的她，因父亲离世而生活被彻底打乱。之后，她与老朋友们重拾联系，大家在回忆往昔的同时，也一同探寻着新的人生方向。

All of French documentary director Frederic Rossif's compilation films are models of the genre, some even more than that (as evidenced by Rossif's multiple industry awards). Most observers regard his 1963 work To Die in Madrid (Mourir a Madrid) as his masterpiece. Using painstakingly selected newsreel clips and still photos, Rossif thoroughly conveys the horror, disillusion and bravery of the Spanish Civil War. Movingly narrated by John Gielgud and Irene Worth, this film was nominated for an Academy Award. Before its successful worldwide distribution in 1965, generous portions of To Die in Madrid were incorporated into

梅里·罗曼曾是马德里同性恋场景的天后，她平凡的生活因父亲的去世而被颠覆，她与老朋友重新联系。他们一起回忆过去，开辟一条新的前进道路。