家里收养的妹妹杀了妈妈并嫁祸快递员，儿子追查真相发现妹妹房间藏有剧毒物质，逐渐揭开真相。原来妹妹因患罕见疾病一直是幼儿园小孩模样，她爱慕父亲，为能与之相处杀了妈妈，最后服毒自尽，并在日记中写下真相..

十八年前，傅辛瀚为给姜茶茶名分，调包顾小雨亲子傅念安。十八年后傅辛瀚回国认子夺权，顾小雨当众揭穿其重婚，并出示DNA证明傅念安为己出，养女傅念宜实为傅、姜私生女。傅念宜崩溃下毒，傅辛瀚趁危逼顾小雨弃权。傅云衡现身宣布与顾小雨合法结婚，收回傅辛瀚权力。傅念宜刺死姜茶茶，傅辛瀚被捕。傅念安康复后，顾小雨与傅云衡共同执掌傅氏。

汤姆爱上了他的新同事马萨，此时，他发现了自己用来掩饰的面具开始破碎，真实身份也随之暴露。能否找回真正的自我，还是继续活在阴影之中，是汤姆所要面对的问题

汤姆爱上了他的新同事马萨，此时，他发现了自己用来掩饰的面具开始破碎，真实身份也随之暴露。能否找回真正的自我，还是继续活在阴影之中，是汤姆所要面对的问题

普玛（坎娜楠·翁卡琼莱 Kannarun Wongkajornklai 饰）有着非常糟糕的情感经历，饱受伤害的心令普玛决定关闭心门，再也不让任何人有任何可乘之机。在工作中，普玛结识了名为格文（提拉达·迈特瓦拉育 Teeradetch Metawarayut 饰）的男子，格文拥有高大的身材和英俊的样貌，是一个万花丛中过片叶不沾身的花花公子。在上司的叮嘱下，普玛必须对格文言听计从，虽然这个男人的作风令普玛非常的瞧不上。 　　实际上，格文的真实身份，是全球著名婚恋公司的老板，而他来到泰国的目的，就是找到自己失散多年的母亲。母亲留给格文的唯一一样东西是一个铜盒子，普玛决定帮助格文共同寻找母亲的下落。

本剧改编自同名漫画，讲述了会泽真寻因为某种原因辞去了原来工作的公司，跳槽到别的公司。优秀且待人和善的真寻，在新的职场过着一帆风顺的日子。在这样的真寻面前，出现了分居中的丈夫五十岚直人。不知道真寻跳槽地点的直人，偶然间跳槽到了同一家公司。总之，两个人一起工作了。为了不让周围的人在意，她决定伪装成别人来工作，但也因此被卷入了更多的恋爱事件中！？离婚还是自首？擦身而过，无法坦诚相待的两人将何去何从——

会泽真寻辞职后转职到另一家公司。优秀且待人亲切的真寻在新职场顺利开始了工作。就在此时，分居中的丈夫五十岚直人出现了……不知道真寻转职去向的直人偶然间也转职到了同一家公司……两人就这样开始一起工作了。为了不让周围的人察觉，他们假装是陌生人，但因为这个原因，他们卷入了更多的恋爱风波……无法坦诚相待的两人的纠结心情让爱情喜剧上演。两人的关系将走向何处？

灿星集团总裁夜枭，为得到从小就执念的姐姐闺蜜夏雨桐，化身腼腆怯弱小白兔以身入局，诱她一步步踏入真爱陷阱。夜枭有种病，偏执型人格障碍，在夜枭16岁时就对夏雨桐一见钟情，可因为对方是姐姐闺蜜，又比他大了整整6岁，两人几乎不会有任何交集。为得到夏雨桐，他不惜刨开自己病症，放下总裁身份，博取夏雨桐同情时待到她身边做一个小助理。一边以身引诱夏雨桐，一边又用狠厉手段排挤夏雨桐身边所有异性。

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.