“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

由克里斯蒂安·施沃霍夫执导，改编自西格弗里德·伦茨的同名小说《Deutschstunde》。这部二战反思小说是德国文学史上的里程碑杰作，具有重要的意义。时长两小时影片，尽管无法完美呈现原著内容，但也剥离出来一条主线，很好描绘了人们的亲情友情在那个时代背景下所遭受的扭曲。

土耳其进步女青年拉莱跟她父亲阿訇德米尔坎生活在科隆。遵守传统的老阿訇从土耳其办来一群新娘跟德国的移民后裔联姻。哪知这一切都被移民局小贱萨海默盯上了

土耳其进步女青年拉莱跟她父亲阿訇德米尔坎生活在科隆。遵守传统的老阿訇从土耳其办来一群新娘跟德国的移民后裔联姻。哪知这一切都被移民局小贱萨海默盯上了

拉乌尔（科洛维斯·科尔尼拉 Clovis Cornillac 饰）有一个18岁的儿子，在一场可怕的事故中，这个年轻的孩子不幸丧生。警察局调查的结果证明，这个孩子的死纯属意外，虽然感到万分的悲痛，但拉乌尔也不得不接受这个残忍的结果。 　　然而没过多久，一个名叫戴安娜（玛丽-乔西·克罗兹 Marie-Josée Croze 饰）的女人找到了拉乌尔，戴安娜告诉拉乌尔，他的儿子在生前曾经和一所医院签订过一份新药试验协议，而他所遭遇的意外很可能和药物实验有关。于是，在戴安娜的帮助之下，拉乌尔来到了医院所在地巴黎，开始着手调查儿子死亡背后的真相。

珠影集团曝片单，麦嘉导演的动作喜剧《最新排挡2019》

Professor Mary Beard, renowned classicist and TV historian, is to explore what life was like in one of the world’s most extraordinary and iconic archaeological sites, in Pompeii: Life Before Death, a new landmark programme for BBC One. 　　Mary Beard – a world Pompeii expert and author of Pompeii: Life Of A Roman Town – will be joining an international team as they bring the very latest technology to bear on this most extraordinary of archaeological sites. 　　Mary Beard says: “This is a really exciting chance to find out more about the ordinary people who lived in ancient Pompeii. It's a once in a lifetime opportunity. I'm hoping we're going to unlock some if the secrets about who the people were.” 　　For the first time, a team is CT scanning and fully investigating the world-famous casts of the bodies to analyse the skeletons trapped within, to ascertain all they can about who they were, where they came from and how they lived. A team is also conducting DNA analysis of the bodies for the first time. 　　Elsewhere, the documentary will follow the work of recovering damaged frescoes and mosaics, the excavation and rebuilding of certain key buildings and the organisation and cataloguing of the thousands of astonishing artefacts in the storerooms – from loaves of bread to pet monkeys, paint pots to purses. It will shine a light on the work of archaeologists who are exploring the third of the town that has never been excavated, and will present a unique first look at the complete Pompeii in stunning CGI. 　　Using the evidence gleaned from all this research, the BBC One film will piece together a full picture of daily life in Pompeii before the town was destroyed by the eruption of Vesuvius in AD79.

In this subject a "comique eccentric" enters the drawing room inhabited by spirits. He tries to take off his coat and hat, but these garments return to his head and shoulders as soon as he takes them off. The chairs, his umbrella, his hat, etc., fly away in different directions and by various methods.

The Newest Olds transforms Detroit’s iconic cityscapes, dislodging buildings from their foundations and collapsing the physical, political, and sensory boundaries between Canada and the United States through alchemical, in-camera, and optical printing techniques.