校貓 Hoki 數次攻擊校園裡的鳥類，生研社決定發起一場公投。 　　在高中最後的春日裡，小逸、真真、軒庭想在彼此身上找到最好的答案。

古今哲學探討的一大重點始終在於：人如何確定自己的存在不是一場虛幻？然而長期受困於免疫疾病的患者對於生活或甚至是生存的寄託反而可能建立於，會不會身體或是感知的痛苦其實只是一種幻象或是夢境？ 　　從「牽亡」的概念為發想，將免疫疾病比喻為一場自己與己身身體的長期抗戰，於戰爭中死亡的亡靈透過凝視生前的記憶切片，重新檢視與探索生命、存在如何在始終流動與不穩定的狀態下，與其共存與找到平衡。 　　One major focus of philosophical inquiry has been: how can individuals determine that their existence is not an illusion? However, for those enduring chronic immune diseases, reliance on life might paradoxically hinge on whether the pain is merely a dream. 　　Inspired by the concept of khan-bông(a traditional taiwanese ritual) likening immune diseases to a prolonged battle against one's own body, the spirits of those who die in this war revisit fragments of their memories to re-examine and explore how life and existence coexist and find balance amid perpetual flux and instability.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

1988年9月21日発売。メディアは、VHS、ベータ、LD。 　　カメラが捉えた決定的瞬間part1~part5及び、TV未放送シーンを追加したもの。 　　同名映画、ザ・ショックスIIよりは、衝撃度は薄い。後のTV版では、殆どが流用されている。 　　ビデオ版の発生日時のテロップは灰色だが、TV版はブルーに変わっている。 　　企画:梅沢勝哉 　　プロデューサー・演出:柴田紀久 　　構成:藤堂平助、吉本俊二 　　制作進行:渡辺昇 　　効果:片野正美 　　制作:SFINX,inc. 　　企画協力:日本テレビ放送網株式会社・東和プロダクション 　　ナレーター:矢島正明、瀬能礼子、難波圭一、梨羽由記子

弓子は元ボクサーの夫・圭吾、幼稚園に通う息子の浩太と平穏な毎日を送っている。隣室の涼子の夫はプロレスラーの誠二である。涼子は小説家を目指しながら塾講師をする年下の向井と不倫している。 　　圭吾はジムの会長から取立て屋のような仕事を請け負っているが、最近うまくいっていなかった。いじめに遭っている浩太は幼稚園へ行くのを嫌がった。幼稚園を休ませおもちゃを買いに出た帰り道、弓子が電話をしている間に酔っぱらいのおじさんが振り回した一升瓶が当たり、浩太は怪我頭にをしてしまう。 　　その夜、話を聞いた圭吾は弓子の頬を張った。弓子も反論するが圭吾の勢いに負けて部屋を出た。その後弓子はたまたま会った向井と自棄気味にホテルへ行った。 　　一方、圭吾はひょんなことからＡＶ嬢のあかねと知り合い、肉体関係を結んだ…

疫情之下，面對自我獨處的她，在兩個男人間周旋。兩種截然不同的價值觀、兩種生活態度拉扯出兩條平行時空的故事線，一個保護、一個自由，但不論她選擇哪種人生，她始終無法擺脫一個沒有既定形象的惡魔，她也才明白，唯有面對內在的恐懼，才是真正活著。

我和爺爺的童年時光緩慢而美好。長大後相處變少，每次見面都感覺他迅速衰老，而我也飛快成長。這段經歷啟發我創作，並提醒自己珍惜當下。

幼なじみの木下加代子（中山美穂）と樋口浩介（中村繁之）は高校2年生。お互いに意識しながらも、会えばすぐにケンカになってしまう友達以上恋人未満の微妙な関係。お互いを意識しつつも、年上の男性との恋に憧れる加代子、年上の女性との妄想が止まらない浩介。性への憧れや興味を抑えられない思春期の物語。