THE SUPREME COURT is a four-part documentary series exploring the role of the court throughout American history. From its modest beginnings in the earliest days of the republic to the landmark decision in Marbury v. Madison, and from establishment of the "separate but equal" doctrine in Plessy v. Ferguson to its reversal in Brown v. Board of Education, the Supreme Court has been integral to the course of events in America's history. THE SUPREME COURT, featuring exclusive interviews with Chief Justice John Roberts and retired Associate Justice Sandra Day O'Connor, tells the story of this most important of legal and political institutions from its inception to the present day. 　　THE SUPREME COURT originally aired on PBS stations in January and February 2007.

People is a romp about attempts to save a crumbling stately home – with the National Trust as chief villain.

澳大利亚广播公司98年纪录片《最高法院》(The Highest Court)是仅存的一部澳大利亚最高法院授权拍摄的影片，包含大量高院庭审现场和大法官亲身访谈等珍贵材料，记录了他们捍卫法治与司法独立的历程。 　　 　　澳大利亚最高法院由七名大法官组成。

纪录片通过采访英国高等法院12位大法官中的四位——高院院长菲利普斯勋爵、副院长霍普勋爵、大法官柯尔勋爵，以及高院中唯一一位女性黑尔女男爵，揭示大法官是如何工作的，他们与政府之间的斗争，和自身情感的斗争，以及为了做出正确决定而承担的重任。 　　高等法院无权按照自己对于“法律应该如何规定”的理解去判案，而只能依据“法律实际是怎么规定的”来判案。 　　“我们的民主制度保护最基本人权，这些权利属于任何人，无论他们是谁或是从哪里来。”——2004年英国高院副院长霍普勋爵驳回英国政府拘押外籍嫌犯政策的判词。 　　“基本人权有着最根本的重要性。”——高院院长菲利普斯勋爵 　　“我们必须成为一道对抗行政决定的壁垒，特别是当我们发现存在对于基本人权的不可接受的侵犯时。我想这就是高等法院遵循的一条根本原则。对于这一原则如何强调都不过分。不能授予行政当局不受限制的权力。”——高院大法官柯尔勋爵

A look at America's struggles with war, class, race and women's rights. based on Howard Zinn's "A People's History of the United States." 　　回顾了美国人民在战争、阶级、种族以及女权等方面问题上进行过的种种斗争。全片基于Howard Zinn的著作<<美国人民的历史>>。

1967年6月5日，以色列出其不意对周边阿拉伯国家发动第三次中东战争，并在六天内赢得胜利。在埃及宣布战争失败后，几名缺水缺粮的埃及士兵想穿越已被以色列占领的西奈沙漠到苏伊士，回到和平地区。 　　本片是作品寥寥的以色列导演Rafi Bukai的处女作，他从几名埃及士兵的视角来表现这部“人道主义的，反战的，无关政治的”作品。 　　本片在1986年瑞士洛迦洛电影节上获得了一个奖，同年代表以色列角逐奥斯卡最佳外语片。 　　(by 54f8in)

Paysans des rizières, porteurs de bois ou vendeurs à la sauvette : leurs destins se croisent, pour dessiner une seule et même histoire, comme les pierres des légendaires temples d'Angkor. Un film intense, par le réalisateur de S21, la machine de mort khmère rouge, inlassable interrogateur de la mémoire cambodgienne. 　　Un jeune adolescent khmer s'interroge sur son avenir. Passionné par l'histoire d'Angkor, il voudrait devenir guide mais est trop pauvre pour aller à l'école. Des anciens répondent à ses questions : que signifient les dessins gravés dans les pierres d'un temple en ruine ? Comment calmer sa rage contre des parents qui l'ont abandonné ? Comment subvenir à ses besoins de façon honnête ? Grâce aux mythes racontés par les anciens, l'adolescent voit ses peines s'estomper et son espoir renaître. Un paysan devenu ouvrier des chantiers, quant à lui, se sent amputé de sa terre mais garde foi en la rizière. Un autre chérit son coq de combat, sur lequel reposent tous ses espoirs. Un groupe d'ouvriers assemblant les bas-reliefs d'un temple est fasciné par les dessins des vieilles pierres... Passé et présent s'entremêlent, divin et humain se complètent. L'humour permet d'exprimer l'angoisse de la survie quotidienne et l'art ancien de trouver des raisons de vivre. 　　Au coeur de la mémoire cambodgienne 　　À travers des documentaires bouleversants, comme La terre des âmes errantes, primé dans le monde entier, ou encore S21, la machine de mort khmère rouge, film sur la mécanique totalitaire sélectionné à Cannes en 2003, Rithy Panh n'a de cesse de revisiter l'histoire récente et tragique de son pays. Avec Les gens d'Angkor, le réalisateur continue d'interroger la mémoire cambodgienne, avec la même force et la même originalité. Par un travail obstiné, qui insiste cette fois sur les regards intenses plutôt que sur les paroles, il tente de restaurer la conscience d'un pays meurtri. Sans commentaire, loin du reportage classique avec sa rituelle voix off, Rithy Panh choisit de nous faire découvrir Angkor à travers les yeux de ses habitants. Le cinéaste sait se faire oublier. Ainsi le spectateur se sent-il plus proche des gens, dont il partage les coutumes, les peines, les espoirs. Le fil conducteur, les interrogations pressantes et personnelles des habitants d'Angkor, nous permet de mieux comprendre l'état d'esprit de la société cambodgienne d'aujourd'hui, de mieux saisir l'atmosphère mystique d'un lieu où les destins des divinités et des ouvriers se croisent et se répondent.

影片讲述某企业在海边建设化工厂，由于有散播病毒的疑虑，住在海边的熊颖颖选上立委，进入立法院试图阻止此事。在立法院长主持到一半时，被化工厂流出的病毒感染的人病发变成活尸乱咬人，官员、公务员、记者受感染后都变成丧尸，在议场内扭打、撕咬，控制疫情，政府将立法院的出入口全部关上，立法院俨然成为人间炼狱。

★禾浩辰、賴雅妍继《等一個人咖啡》再度同框，2018金馬入圍、台北電影獎最佳短片獎導演王逸帆執導★《紅衣小女孩》系列電影總監製曾瀚賢最新力作★…

Press Release 　　RENOWNED DOCUMENTARIAN FREDERICK WISEMAN EXPLORES THE DECISION-MAKING PROCESS AT THE HEART OF DEMOCRACY IN STATE LEGISLATURE, PREMIERING JUNE 13 ON PBS 　　The Rocky Mountain state of Idaho is governed by "citizen" legislators - not career politicians. These lawmakers are, for the most part, farmers and ranchers, business men and women, lawyers, doctors, sales people, loggers, and teachers elected for two-year terms. During the 2004 Idaho state legislative session, these citizen legislators became an integral part of STATE LEGISLATURE, the latest documentary from acclaimed filmmaker Frederick Wiseman. 　　In his ongoing project to explore contemporary American life as expressed in institutions, Wiseman turned his camera on the legislature to illustrate the way the democratic decision-making process works. In his trademark style, nothing is staged. Wiseman captures the lawmakers as they debate and discuss the concerns of the electorate, on issues that range from violence in schools, mad cow disease and video voyeurism to illegal immigration, secondhand smoke and the deregulation of telephone rates. 　　In Le Monde, Thomas Sotinel called STATE LEGISLATURE "(an) ode to representative democracy." Variety's review stated, "What emerges is the thoroughness with which the system treats even the most contentious of issues and eccentric of constituents." After a showing at the 2007 Berlin International Film Festival, German film critic Ekkehard Knörer wrote, "One stands to gain nothing less than mind-boggling insights into the machinery of American democracy." 　　STATE LEGISLATURE premieres Wednesday, June 13 at 9 p.m. (ET) on PBS (check local listings). The film is presented nationwide on PBS by Thirteen/WNET New York, which has been the national presenter of Frederick Wiseman's films throughout his career. Wiseman, a three-time Emmy Award-winning director, has 34 documentary films to his credit, from the controversial Titicut Follies (1967) and High School (1968) to Near Death (1989), Public Housing (1997) and Domestic Violence (2001). 　　"This film shows the day-to-day aspects of the legislative process, the goal of which is the creation of the laws that govern the civic life depicted in my other films," said Wiseman. "Unlike a textbook description in a political science course of how a bill becomes a law, a film of a legislature can convey in a unique way the actuality of the legislative process, that is, how decisions are made and power is exercised in a democratic society and the constraints and limitations on the application of that power." 　　While it may not be easy or smooth, the legislative process is the engine that drives American democracy. And in each of America's 50 state capitals, the legislature is the basic democratic institution, where elected representatives make the laws that define the rights and obligations of citizenship. From determining how to fund government agencies to setting the policies of all the services the state provides - from police to prisons to schools - the state legislature defines, regulates and gives shape to civic life. 　　Present for the entire 2004 session of the Idaho legislature, Wiseman had access to all aspects of the legislative work. The result is a portrait of a complex body that serves essential routine functions in the day-to-day operations of a state and, at the same time, plays a key symbolic role in the American way of life. 　　Throughout the course of the film, the camera roams the halls and conference rooms of the Idaho state legislature. The film observes legislators discussing bills before they are formally introduced; the committee hearings where the testimony of witnesses and lobbyists for and against the legislation is heard; the debate among legislators to determine whether the bill should go to the floor of the House or Senate for final consideration; and the final debate and vote. The film also captures informal discussions with lobbyists and citizens, as well as press conferences and events held in the state house rotunda. 　　Sequences illustrate the role of lobbyists, the power of committee chairmen, the use of procedural maneuvers to advance or retard legislation, and debates in committee - some revealing the mundane, even arcane, aspects of the process, and others eliciting remarkably eloquent oratory. 　　Among the issues discussed by the legislators during the course of the session are: violence in schools; electronic waste; utility costs; teacher salaries; a sex offenders registry; the relationship between church and state, welfare appropriations; liability of companies marketing unhealthy foods; educational policy; mental illness; crime victims' rights; contractor licensing; and public transportation policy. 　　"For me, the drama lies in the commonness of the issues, in the ordinariness of the people called on to resolve them, and the seriousness with which they accept the responsibility for participating in decisions that affect all aspects of our lives," said Wiseman. "STATE LEGISLATURE is, in my view, a reflection of contemporary American life and both an illustration of and metaphor for the democratic process." 　　Funding for STATE LEGISLATURE was provided by PBS, the Corporation for Public Broadcasting, Independent Television Service, National Endowment for the Arts, and The LEF Foundation and the Ford Foundation. 　　STATE LEGISLATURE was directed and edited by Frederick Wiseman. Photography: John Davey. Sound: Frederick Wiseman. 　　STATE LEGISLATURE is a co-production for PBS of Idaho Film, Inc. and Thirteen/WNET, in association with the Independent Television Service. Executive producer for Thirteen/WNET is Stephen Segaller. Executive producer for ITVS is Sally Jo Fifer. Tamara E. Robinson is vice president and director of programming for Thirteen/WNET. 　　STATE LEGISLATURE is a Zipporah Films, Inc. release.