落魄千金为查家族灭门真相，化身管家潜入豪门。深夜在书房查神秘账本时，被冷峻继承人撞破，为自保被迫假扮其未婚妻。 豪门内阴谋密布，两人从试探戒备到共历生死，渐生情愫。女主 “仇人之女” 的身份意外曝光，信任崩塌，陷入痛苦。 经冷战反思，他们决定联手追查，最终揭开家族长辈为夺权策划血案的阴谋，洗清女主家族冤屈。两人放下恩怨，远离纷争，在海边小屋开启幸福新生，为这段始于欺骗的爱情画上圆满句号。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。

林宇查清陈锋为争项目耍手段的证据，对质时陈锋承认破坏其与苏瑶感情还威胁他。后陈锋在公司楼下持刀行凶，被及时赶到的警察控制。审讯后陈锋悔悟，主动向林宇、苏瑶道歉，获两人谅解。他一改往日作风，积极配合林宇工作，从对手成伙伴，还在团队会议上公开致歉。林宇弥补过往忽略，精心策划求婚，苏瑶感动答应。最终三人成好友，公园散步畅谈未来，故事在幸福中收尾，尽显真爱与人性之善。

在韩国Trot音乐逐渐成为一大流行音乐类型，甚至在韩流文化知名企划社都将打造Trot偶像确定为未来发展目标。Trot音乐节目头部电视台TV朝鲜与韩国最知名偶像企划公司的SM携手，打造Trot偶像歌手，开发的全新偶像企划方案，而《真心姐姐》正是此次奇幻中的重要一环。 　　由大号姐姐李英子、安心姐姐宋恩伊以及大眼姐姐金淑三位在韩国具有极高国民知名度的女笑星，与Trot届知名制作人赵英秀，共同见证并陪伴五位Trot偶像练习生成长为万众期待的Trot偶像。节目打造Trot粉丝入坑记，三位姐姐作为养成系偶像的入坑代表，通过观看五位练习生的练习及生活影像，了解他们的点滴。日后，她们还有机会与五位练习生近距离见面，亲眼见证偶像的养成。

Left alone for the night in their new orchard farmhouse, three teenage sisters soon find themselves at the mercy of some unscrupulous townie boys. The tables are turned, however, when the malevolence that roams the orchard starts to hunt down the boys.

根据拉玛三世(Rama III, 1824年至1851年在位)在暹罗(现在的泰国的旧名)统治时期的一首诗，这个故事讲述了女同性恋在皇家后宫的关系。 　　前宫太子的妃子坤康和忽素，彼此之间都隐藏着超越友谊的感情。他们只能远远地互相照顾，直到前宫经过，苏特被请到桑王子的姐姐维拉斯公主的宏 伟宫殿里服务。只有康（Kham）独自漂泊，最终不得不与父亲卡拉姆（Khram）一起返回家乡安帕瓦（Amphawa）。到底，在感情的事情上，彼此又会如何公平呢？