这是一部让人心动的电影，青春、友情、亲情、爱情……辛辣且甜中带苦。十四岁的丹妮与她的姐姐总是分享任何东西，但是当爱情来临的时候，同样渴望爱与被爱的姐妹成为对手。在经历了感情的甜蜜与痛苦之后，姐妹俩获得了人生的经验，明白了爱的生活哲理。 　　Robert Mulligan's graceful coming-of-age drama, set in rural Louisiana in 1957, explores the relationship change two sisters exp……

这是一部让人心动的电影，青春、友情、亲情、爱情……辛辣且甜中带苦。十四岁的丹妮与她的姐姐总是分享任何东西，但是当爱情来临的时候，同样渴望爱与被爱的姐妹成为对手。在经历了感情的甜蜜与痛苦之后，姐妹俩获得了人生的经验，明白了爱的生活哲理。 　　Robert Mulligan's graceful coming-of-age drama, set in rural Louisiana in 1957, explores the relationship change two sisters exp……

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

当一位年轻僧人接触到“博阿健身房”的健美运动员时，他重新连接到了自己身体的力量，引发了一场彻底的转变。

人生本是一杯白开水， 　　往杯里面加调料的人太多， 　　才有了五味俱全 　　有了情爱、有了幸福， 　　也有了仇恨和杀戮…… 　　拳与拳的血肉搏击，小提琴奏出的音乐令人荡气回肠。在灵与肉、情与恨的纷杂交织中，一群人演绎出一曲爱情、友情并存，生与死、美与丑交错的感情乐章。 　　敦厚憨直的高升（樊少皇饰）与鬼机灵的丁强（邵兵饰）本是从小习武长大的好兄弟，由于性格差异，丁强感叹命运的同时，只身去大城市闯天下…… 　　在职业拳击生涯中，丁强与罗军的女人杨静（王艳平饰）发生感情纠葛，为讨好杨静，不得不用生命做赌注，而高升却结识了傅雪（伊能静饰）这位命运坎坷的姑娘。为了实现父亲的遗愿，她想成为一名出色的小提琴家。罗军欣赏高升的拳技，高升憨直的个性几乎唤醒了罗仅存的一丝良知，但一代枭雄罗军又怎会轻易放弃他经营半生的罪恶勾当？罗军的多行不义，使杨静猛并与丁强陷入爱河，然而天不不测风云，因受罗军非法生意所累，杨静锒铛入狱。 　　杨静的遭遇使丁强陷入绝望和痛苦中，罗军也在生产场连连受挫。为挽回败局，他孤注一掷，组织了一场空前规模的拳赛，高升断然拒绝为他作弊。但他绑架了傅雪和丁强，高升只好答应出赛，罗军屡遭败阵，此时，警方也在缉捕罗军，他终落法网。傅雪获救，却耽误了期待已久的小提琴晋级考试，她来广场当众演奏，生命的旋律自琴中尽情流淌……

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……