A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. 　　A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. 　　Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. 　　The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.

作为演员，安迪-考夫曼是成功的，他主持的《周末直播》(Saturday Night Live)节目可以轻易地让人捧腹、严肃或是落泪，这是人们广为熟知的一面。然而…

这是一部传记片，讲1984年死于癌症的喜剧明星安迪·考夫曼的故事。影片由金?凯瑞饰演美国历史上的传奇喜剧之王安迪?考夫曼，可谓是众望所归。同样是以喜剧表演起家，而后参与情景喜剧的演出，再晋升大荧幕，他和考夫曼的奋斗历程颇为相似，由他来诠释这个角色，是再合适不过了。考夫曼生于1949年，是美国1950年代到80年代最具创意、最标新立异而又像谜一样的艺人。现实生活众的这位荧幕之王还有很多鲜为人知的历史，或是辛酸，或是欢颜……

吉川速男（1890-1959）是小規格業餘電影草創時期最熱忱的推手，一生著作超過 160 本，將對影像的愛透過文字與友誼，傳遞至 1930年代的無數角落。多年後，在整理收藏時，他無意間翻出年輕時未竟的夢想，那部從未拍成的科幻電影。於是，他再次啟程，踏上尋找「月世界」的旅程，彷彿業餘電影的青春從未遠離過。

麦蒂是13岁大的女孩，对暑假的到来，一方面开心，一方面难过，因为她哥哥总是欺负她，她还得照顾弟弟。麦蒂的同学费迪喜欢她总是突然间出现在她面前缠着她令她烦恼。本来姐姐离开家上大学，让她很伤心，不过她很高兴能自己住一间房间，结果她的姨妈茹丝却突然出现，破坏了她的计划，但没想到，她们的感情越来越好。。。。

Rabbit's Moon is a short avant-garde film directed by Kenneth Anger in the style of both mime and Kabuki theatre. The title refers to the Japanese myth about a rabbit on the moon. The story focuses on Pierrot trying to obtain the unattainable moon. Harlequin appears and entertains Pierrot with sword play, juggling, and dance. Pierrot remains distraught, so Harlequin summons Columbina to help uplift Pierrot.

出身富有家庭的布鲁克斯喜欢干些同别人不一样的事：喜欢打领结，喜欢拍摄奇怪的照片，喜欢古老的音乐，因此被人认为性格古怪。在同异性交往时，布鲁克斯的举止行为显得非常拘谨，但在结识了安娜后——她是个聋子，却独立而果断，布鲁克斯则逐渐克服了自己的胆怯，理解了生活的意义和爱的真正含义。布鲁克斯的哥哥是个嬉皮士，为捉弄布鲁克斯，他将自己的麻醉剂放到了弟弟的房中。父亲发现麻醉剂后，认为布鲁克斯精神异常，但布鲁克斯需要的不是精神病医生，而是同他深爱的安娜在一起，一起去克服自身的局限，发现自我。

布莱恩·辛格（Bryan Singer）与20世纪福克斯即将把罗伯特·A·海因莱因（Robert A. Heinlein）雨果奖获奖科幻小说《月亮是一个冷酷的情人》（The Moon is a Harsh Mistress）搬上大银幕，不过布莱恩·辛格有可能执导、也有可能不执导该片。 《月亮是一个冷酷的情人》1966年出版，故事讲述了未来，人类在月球上建立了殖民地，地球上的统治者对月球殖民地采取高压统治，激起了殖民地人民的不满，从而起兵反抗。 虽然是科幻小说，但该书表达的却是自由主义理想，在今天看来依然十分有意义。 据悉，电影版片名叫做《起义》（Uprising），布莱恩·辛格将担任该片制片人。 罗伯特·A·海因莱因（Robert A. Heinlein）是著名的科幻小说家，代表作有《星河舰队》（Starship Troopers）系列。后者曾在1997年被保罗·范霍文（Paul Verhoeven）搬上大银幕，尽管当时票房口碑都不大好，但现在却成为了科幻片中的一部经典之作，一提到人虫大战大家都会想到它。目前《星河舰队》也在准备重拍。