故事聚焦一对母女：窦靖童饰演的女孩Justine陪她的妈妈去做乳房X光检查，在候诊室里，Justine的内心世界开始转变，让她去质疑自己内心深处的渴望，以及她与母亲之间尖锐的情感联结，最终揭露了她们之间关系紧张的真正原因。

故事聚焦一对母女：窦靖童饰演的女孩Justine陪她的妈妈去做乳房X光检查，在候诊室里，Justine的内心世界开始转变，让她去质疑自己内心深处的渴望，以及她与母亲之间尖锐的情感联结，最终揭露了她们之间关系紧张的真正原因。

Ayyur, which means “moon” in the Amazigh language, paints a contemplative portrait of two children of the moon. In Ayyur, Zineb Wakrim depicts marginalized rural children with tenderness and humanity. This rare hereditary disease makes them hypersensitive to ultraviolet rays and prevents them from being exposed to the sun. The two 14-year-olds, when not covered from head to toe and locked in a spacesuit so they can step out into the light of day, find refuge in art and painting.

Mixture of animation and live action. Real and human rats.

来自维也纳的前职业自由搏击运动员莎拉接受了中东一个富裕家庭的私人教练工作。她发现自己置身于一个陌生的世界，在一座墙后的宫殿里，与互联网隔绝。而莎拉负责教授的这些女生们被全天候监视着，她们对学习拳击没有兴趣。那为什么把莎拉带到这里来?

来自维也纳的前职业自由搏击运动员莎拉接受了中东一个富裕家庭的私人教练工作。她发现自己置身于一个陌生的世界，在一座墙后的宫殿里，与互联网隔绝。而莎拉负责教授的这些女生们被全天候监视着，她们对学习拳击没有兴趣。那为什么把莎拉带到这里来?

Ayyur, which means “moon” in the Amazigh language, paints a contemplative portrait of two children of the moon. In Ayyur, Zineb Wakrim depicts marginalized rural children with tenderness and humanity. This rare hereditary disease makes them hypersensitive to ultraviolet rays and prevents them from being exposed to the sun. The two 14-year-olds, when not covered from head to toe and locked in a spacesuit so they can step out into the light of day, find refuge in art and painting.

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.