根据茅盾同名小说改编： 　　《霜叶红似二月花》是茅盾继《腐蚀》之后写的又一部力作。小说以“五四”前夕江南村镇为背景，描写新兴资本家和豪绅地主勾心斗角、相互倾轧以及他们与农民的尖锐矛盾，中间穿插着几对青年男女的感情纠葛，广泛地反映了那个时代的社会生活。布局严谨，场面宏大，情节复杂，语言典雅，是一部富有民族风格的佳作。

根据茅盾同名小说改编： 《霜叶红似二月花》是茅盾继《腐蚀》之后写的又一部力作。小说以“五四”前夕江南村镇为背景，描写新兴资本家和豪绅地主勾心斗角、相互倾轧以及他们与农民的尖锐矛盾，中间穿插着几对青年男女的感情纠葛，广泛地反映了那个时代的社会生活。布局严谨，场面宏大，情节复杂，语言典雅，是一部富有民族风格的佳作。

For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.

在动荡的民国年代，一个寻常的舞女命案，竟将搅动了南城黑暗势力的浑水。顾曼倾从小与当舞女的姐姐相依为命，却不曾想到在自己的大喜之日，目睹陆屹川害死了自己的姐姐。顾曼倾在新婚夜手刃陆屹川失败后，跳窗逃跑，从此隐姓埋名开始了新的人生。本以为顾曼倾嫁入豪门可以过上幸福生活，不料这竟然是顾曼倾复仇的第一步，在陆屹川家里当后妈。赌上后半生的顾曼倾不惜一切，向陆屹川展开致命复仇，却在即将能手刃仇人时发现这背后隐藏着更大的阴谋......

在动荡的民国年代，一个寻常的舞女命案，竟将搅动了南城黑暗势力的浑水。顾曼倾（明悦 饰）从小与当舞女的姐姐相依为命，却不曾想到在自己的大喜之日，目睹陆屹川（邱鼎杰 饰）害死了自己的姐姐。顾曼倾在新婚夜手刃陆屹川失败后，跳窗逃跑，从此隐姓埋名开始了新的人生。本以为顾曼倾嫁入豪门可以过上幸福生活，不料这竟然是顾曼倾复仇的第一步，在陆屹川家里当后妈。赌上后半生的顾曼倾不惜一切，向陆屹川展开致命复仇，却在即将能手刃仇人时发现这背后隐藏着更大的阴谋......

一块神秘玉佩，引发一场人性与亲情的终极较量。普通村民小亮因父亲临终留下的玉佩，意外卷入生死迷局。家中频发诡异事件：鸡死、馒头变黑、寿鞋惊现，恐惧笼罩全家。为揭开玉佩之谜，小亮追查发现，这玉佩竟曾救过父亲挚友的命，暗藏逆天玄机。

小亮父亲离奇身亡，留下一块神秘玉佩。自此家中怪事频发：死鸡、黑馒头、深夜敲门、诡异脚印……妻子行为反常，商人虎视眈眈。当真相揭开，一场围绕“诡玉”的阴谋与背叛浮出水面。是诅咒？还是人为？悬疑惊悚，步步惊心！

该剧改编自晋江文学城团子来袭的小说《逐玉》。讲述了屠户女樊长玉（田曦薇 饰）与落难侯爷谢征（张凌赫 饰）于困境中相遇，一个父母双亡为了保住家产，一个死里逃生隐姓埋名，二人一拍即合决定成婚。先婚后爱日渐生情，后因战乱被迫分开，樊长玉最终拿着杀猪刀上战场，谢征实是战功赫赫的铁血将军，两人于战场重逢，携手共筑拨云见日求真相。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)