胖女孩林晓曦性格开朗大方，她和音乐制作人韩冰是多年好友，两人友达以上，恋爱未满。在一次奇幻的经历后，林晓曦出人意料地变身成为美丽的爱丽丝，并得以接近自己的偶像黄可。虽然赢得了偶像的关注，但夹在青梅竹马与偶像之间时，林晓曦渐渐明白了什么……

开朗的胖女孩晓曦，在一次奇幻的经历后，出人意料地变身成为美丽的爱丽丝并得以接近自己的偶像。虽然赢得了偶像的关注，但夹在青梅竹马与偶像之间时，晓…

胖女孩林晓曦（关晓彤 饰）性格开朗大方，她和音乐制作人韩冰（黄景瑜 饰）是多年好友，两人友达以上，恋爱未满。在一次奇幻的经历后，林晓曦出人意料地变身成为美丽的爱丽丝，并得以接近自己的偶像黄可（官鸿 饰）。虽然赢得了偶像的关注，但夹在青梅竹马与偶像之间时，林晓曦渐渐明白了什么……

楚明徽被凤凰男继父夺财灭门，她死里逃生改名换姓。为复仇继父，楚明徽与大少帅顾同策契约恋爱，并同意帮他刺杀弟弟顾同霈。楚明徽和顾同霈几番交手，叔嫂禁忌相恋，最终楚明徽大仇得报，但她与顾同霈却因误会爱人变仇人。几经波折，二人终于重归于好，携手制服真凶大少帅。

楚明徽被凤凰男继父夺财灭门，她死里逃生改名换姓。为复仇继父，楚明徽与大少帅顾同策契约恋爱，并同意帮他刺杀弟弟顾同霈。楚明徽和顾同霈几番交手，叔嫂禁忌相恋，最终楚明徽大仇得报，但她与顾同霈却因误会爱人变仇人。几经波折，二人终于重归于好，携手制服真凶大少帅。

15岁突然失去父亲的阿木一直以来都无法接受，在面对死亡时他选择了逃避，三年后的“三年满”习俗上，面对伤疤再一次被揭开，面对村里人谈笑风生并且作为茶余饭后谈资的时候，阿木将三年隐藏的情绪在这一瞬间宣泄出

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.