实验短片《月夜》（Tintarella Di Luna）立足创新，劲道十足。短片用35毫米黑白胶片完成，呈现了一个前所未有的封闭、幽暗和压抑的末日般的世界。加斯帕尔·诺埃在构图、摄影上的尖锐和精致，以及与对道德的绝对蔑视，让人想起了实验时期的“电影兰波”菲利普·加莱尔（Pilippe Garrel）。影片是法国运河电视台（Canal Plus）购买最早的短片之一，之后购买的就是大卫·林奇的《橡皮头》。

实验短片《月夜》（Tintarella Di Luna）立足创新，劲道十足。短片用35毫米黑白胶片完成，呈现了一个前所未有的封闭、幽暗和压抑的末日般的世界。加斯帕尔·诺埃在构图、摄影上的尖锐和精致，以及与对道德的绝对蔑视，让人想起了实验时期的“电影兰波”菲利普·加莱尔（Pilippe Garrel）。影片是法国运河电视台（Canal Plus）购买最早的短片之一，之后购买的就是大卫·林奇的《橡皮头》。

50年代西班牙经典的弗拉门戈电影之一，导演José María Forqué的处女作，主演是当时很有名的弗拉门戈舞蹈家Antonio和Xan das Bolas，另外还有著名女歌手María Dolores Pradera等人。与其他弗拉门戈电影相比，这片的特点在故事中加入了些超现实的元素，而不是纯粹的写实派。 　　Jose Maria Forque is a prolific director of Spanish feature films and television programs, he made his feature debut in 1951 with Niebla y Sol/Mist and Sun after making several state-sponsored documentaries for which he received no credit. Forqué founded his own production company, Orfeo Film, in 1967.

《太阳与蝴蝶》是一部极具细腻与温柔质感的青春校园剧，讲述了因旧仓库中尘封的秘密被一群好奇的男学生意外揭开后，引出的一段关于青春与成长的“群体回忆”。在多年后，蔡小小以实习老师的身份重返母校，她发现，尽管岁月更迭，但那些美好的校园记忆却如同老式录音机中的旋律，能够永远清晰地被镌刻在心底。

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

Change comes slowly to a small New Hampshire town in the early 20th century. People grow up, get married, live, and die. Milk and the newspaper get delivered every morning, and nobody locks their front doors.

A deeply disturbed man goes on a murderous nighttime rampage across Los Angeles.