一个长着红色方块脑袋的人物想去月球溜达，自己制作了一台航天器，飞上太空。

一老一年轻俩男科学家兴奋的展开最初的登月计划（他们的飞船和宇航服我感觉都是象征性的要真是这样啊别他妈登月了，连中国古代火箭和太空摇滚的戏服都不如）。不料月球上满是金子ROCK和友善的裸体男女。原来月球是个首脑是女王的母系社会，女多男少，头上都带一个长的像啊同蚂蚁那样的触角跟昆虫或者无线电是的，每人只穿个闪光的小内裤大半姑娘还露个屁股沟在外面（不知道是不是因为找来的愿意裸体的女的大部分都太肥胖身材狂烂，裤子拉不上去。。。）一开始他们对突然出现的两位外星来客很迷惑不知道他们是朋友还是敌人（一个女的把俩科学家用魔棒弄晕弄到一个石室里头）女王就召集居民开会（他们不会说话好象都是用意念交流呢，其实啊就是用个女的说旁白，旁边的其他男女就摆出很傻的完全没有演技可言的动作表情），最后发现科学家很友好，就又自顾自己的玩去了。两位科学家记录了大量月球裸体居民的生活状况，年轻的科学家就用一个老式相机拍啊拍，老教授就指点月球江山是的让他拍女人嬉戏男人嬉戏小孩嬉戏（娘啊，简直是原始的极乐世界，纯真到了滑稽的地步，实际上也可以说看着看着就觉得乏味到了一定程度了，有烂片之风范，不亚于死人的狂欢里跳脱衣舞）值得一提的是年轻科学家还和女王一见钟情。女王知道他不得不回地球于是还是用小魔棒（不知道什么烂东西做的一棒子，有个花形状的顶部，月球好多女的都拿一个）一点，年轻科学家就晕了。在返航的飞船上，年轻科学家还对女王念念不忘，更可气的是他还发现他的相机没拿。。。。。。（GO TO THE MOON AND BACK操这不是野人花园的歌么）回到科学研究室，他又打电话什么的，最后发现在影片开头莫名其妙的介绍他们去之前的情况（在莫名其妙的声音的实验室里他在弄莫名其妙的仪器，还开个车子他和老教授说话啊兜风啊交流啊还一女秘书的拿他照片出来看啊看的为他出行很担心）里的那女秘书居然是和月球女王长的一模一样（我看了一半就发现是一个女的演的，但真的不怎么样长的），看着看着就变成裸体然后又复原成穿个白大褂，然后俩人就拥抱了。又开始了和开头一样的老男人的情歌在月球背景下就没了（开头结尾就放这个就分别有一分钟）

After being bullied by a nasty boy, a little girl decides to play a prank on him by building a rocket ship (actually a wooden rocket ship on a wagon) and allows him to get inside, riding him down to the deserted countryside where a cow was walking around. Believing that he is actually on the moon, he is frightened by his stark surroundings, and believes the cow to be a space monster. He also meets a small, bizarre-looking space monster (which actually turns out to be the little girl wearing over-sized gear)!

父亲告诉我，他是如何活在月亮上——一个充满了飞蛇，萤火虫和三尾猴的地方；一个美丽的地方，安全，远离那些人类的文明；一个充满了想象力的地方；一个需要你用你的思维去寻找入口的想象之地

The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.

廖岩与梁麦琦都是国外学成归来的年轻刑事专家，他们分别运用各自领域的专业技能，在重案组全体干警的密切配合下，破获了一个又一个离奇案件。他们曾多次…

讲述了以法医廖岩及犯罪心理专家梁麦琦为代表的公安机关重案组，团结协作，屡破奇案的故事。主人公廖岩与梁麦琦都是国外学成归来的年轻刑事专家，他们分别运用各自领域的专业技能，在重案组全体干警的密切配合下，破获了一个又一个离奇案件。他们曾多次身处险境，生命受到威胁，但最终都以智慧和勇气成功化解危机，完成了一个又一个铤而走险的任务，而重案组的年轻干警们，也在一次次的疑案侦破中收获了友情与成长。

Sydney Kessler answers the phone call that no parent ever hopes to receive. He travels to the morgue. There, they unveil a body he doesn't recognize - his son Julian. Over the course of one night, Sydney embarks on journey deep into the city to uncover the truth about how his son died. Instead, he discovers how his son lived.

2012年凭半自传作品《鸡蛋和石头》摘下鹿特丹电影节老虎奖的80后女将黄骥，带着诞生不久的孩子千寻和日籍丈夫大塚龙治，千里迢迢，回湖南益阳老家探望爷爷奶奶，顺道为孩子申请出入境护照。衣锦还乡谈不上，出外走一圈后的回首，为观众带来一连串既深情又抽离的凝视。小马却识途，那腼腆的陌生，为本来就难与家庭录像所区分的影像所捕捉，平添了三分趣味、五分层次。片末把护照塞到沉睡的婴儿手边，说句“待他醒来自己看看”，表现出独立影人的自立期许，直教人肃然正视。