A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness. 　　源自：https://www.berlinale.de/en/2023/programme/202309248.html

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness. 　　源自：https://www.berlinale.de/en/2023/programme/202309248.html

看似正常的相遇背后是什么？

'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?

'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?

An Artist violently grinds stones and uses the sand to create animated drawings. His first picture is the Garden of Eden. Once Eve becomes pregnant, all the tribulations of the real world are unleashed upon her. She follows through dream-like sequences populated with crying birds, brick-wall-faced bureaucrats and pensive philosophers in seemingly petrified poses. Irritated, repressed and allured by each other, the creatures on the screen start living a life of their own. Gradually, a dark climax builds up. Will the Artist himself be able to handle so much emotional intensity?

（转自IMDB）A young man, an occasional housekeeper at an abandoned countryside manor, meets an old man sporting strange behavior: He touches his own body with amazement and says that everything in the house looks familiar to him and strange at the same time. What is never openly stated: this man is a former inhabitant of the house who has returned from the dead. He is not able to convey the joy to have his physical sensations regained to the young man, who remains a cynical, world-despising character; he is also not able to talk clearly about the afterlife, an experience that escapes words.

铁路工胡有才找到了自己丢失多年的傻儿子石头，在和他的相处中，老胡发现眼前人与记忆中的儿子相去甚远，老胡决定坦然接受，但命运对他的考验似乎还没有停止……

Members of the Grave Diggers Motorcycle Club are being knocked off one by one, and someone needs to find out why! Sandy Harbutt's timeless Australian cult film about a bunch of renegades riding Kawasaki 900s.

只有8岁智商的30岁年轻人锡邱（金大明）在热情的邻居和朋友们的帮助下在村子里开了一家碾米店。离家出走的少女恩智（全彩恩）在全村的酒宴上被人误会…