讲述离家多年落魄的高嘉岳（吴慷仁 饰）感情、事业双双卡关，与世界告别前他回家探望家人，却因为高家人各自遭遇各种难题而产生羁绊的故事。

讲述离家多年落魄的高嘉岳（吴慷仁 饰）感情、事业双双卡关，与世界告别前他回家探望家人，却因为高家人各自遭遇各种难题而产生羁绊的故事。

《不期而爱》副cp番外迷你剧。 　　根据Mean和Plan戏外粉丝们取的CP名命名。

《不期而爱》副cp番外迷你剧。 　　根据Mean和Plan戏外粉丝们取的CP名命名。

少年王允文与少年范傲的故事。一个家庭破碎的男孩，一个罹患重病必须出国的男孩，命运在两者之间却牵起了一条线。

少年王允文与少年范傲的故事。一个家庭破碎的男孩，一个罹患重病必须出国的男孩，命运在两者之间却牵起了一条线。

共同生活四十载的人突然离去，余下年月，只剩下琐事拉扯过日，靠记忆支撑前行。老人茱莉亚决定拍一部关于过世丈夫的纪录片，这是否是最好的告别？

用死磕的精神，看有料的电影，做独特的评论。

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.