影片讲述了在农村的爷爷思念太空中的孙子，想尽一切办法希望能传递思念的故事。

宋舒韫前世遭表妹许时颜推入湖中溺亡，重生回到两年前生辰宴前夕。面对觊觎自己未婚夫傅洵之的许时颜，她不再软弱，亲手锁门点催情香，让二人私情当众败露，顺势促成他们的婚事。随后她步步布局，揭露傅洵之与伶人苏镜的私情，最终让许时颜惨死、傅洵之被判死刑，彻底报了前世血仇，也为自己寻得新生。

二十世纪初叶，经历了留学日本、浙师风潮和上海渔阳里马克思主义研究会洗礼的陈望道首译《共产党宣言》，为中国共产党的创立提供了理论基础和思想武器。从此，中国革命走上了正确的方向，走向了新中国的诞生。

从日本留学归来的陈望道接下了翻译《共产党宣言》的任务，从此改变了人生轨迹；陈独秀、俞秀松、施存统、经亨颐、戴季陶、蔡慕晖等历史人物一一出场。历经时代动荡变革，友朋或牺牲或离去，陈望道面临生死抉择的考验。

该片彩了主持人串联的形式，长镜头始终跟随着主持人，考察长城修建、变迁，全面介绍了长城在中国历史上的作用，长城对人民物质和精神生活的影响，长城与…

Behind the scenes on fashion photographer Peter Lindbergh's shoot for the February 2016 W Magazine's annual "Best Performances" portfolio, featuring appearances from some of the leading actors and actresses presented in the portfolio.

Behind the scenes on fashion photographer Peter Lindbergh's shoot for the February 2016 W Magazine's annual "Best Performances" portfolio, featuring appearances from some of the leading actors and actresses presented in the portfolio.

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

献礼中国共产党成立100周年，讲述中国成功自主研发北斗卫星导航系统的重大现实题材作品。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang