该剧改编自赛博朋克小说之父威廉·吉布森的同名小说。讲述在未来的美国，科技逐渐改变着社会，而一位名叫弗琳·费舍（科洛·莫瑞兹 饰）的年轻女子发现了…

20世纪70年代，居住在德国的两户家庭想出了一个乘坐热气球飞越柏林墙逃离的计划。

A pair of families living in Germany during the 1970s hatch a plan to escape over the Berlin Wall in a hot air balloon.

英国贵族探险家布鲁克逃离了丑闻和维多利亚时代社会的束缚，去探索19世纪40年代婆罗洲的野生动物。布鲁克爱上了这个热带天堂，与海盗和苏丹的敌人战斗，赢得了砂拉越王的王冠，在那里他统治着一个比英国还大的丛林王国。

Shot on Mini DV and mostly in Paris, Towards the Light is a personal diary of exile. Through images of light, landscapes and memory, the film captures a year (2023) of reflective solitude in exile for Russian filmmaker Vadim Kostrov and his wife, artist Natasha Goncharova. A poetic meditation on displacement, loss and the search for light through darkness.

法西斯主义阴魂不散，极右势力不断壮大，近年更在意大利跃居最大政党。一百年前，一场名为「进军罗马」的法西斯游行，令墨索里尼顺利夺取政权。当年的法西斯宣传片《致我们！》拍下了「黑衫军」浩浩荡荡向罗马出发的画面。马克·卡曾斯就由此入手，拆解这部伪装纪录片的视频操控图像的技俩， 如何建构墨索里尼受万人拥戴的假象。更请来威尼斯影后阿尔芭·罗尔瓦赫尔扮演当年民众向镜头自白，借此思考极权何以抬头，鉴古知今。

法西斯主义阴魂不散，极右势力不断壮大，近年更在意大利跃居最大政党。一百年前，一场名为「进军罗马」的法西斯游行，令墨索里尼顺利夺取政权。当年的法西斯宣传片《致我们！》拍下了「黑衫军」浩浩荡荡向罗马出发的画面。马克·卡曾斯就由此入手，拆解这部伪装纪录片的视频操控图像的技俩， 如何建构墨索里尼受万人拥戴的假象。更请来威尼斯影后阿尔芭·罗尔瓦赫尔扮演当年民众向镜头自白，借此思考极权何以抬头，鉴古知今。

主角Will O'Brien梦想成为一名单口喜剧演员。当他有机会为自己的偶像Billy G做开场表演时，他必须决定是继续自己已规划好的生活，还是去逐梦喜剧圈....

The film is set in Italy in 1922. Two friends returning from the First World War, Rocchetti and Gavazza, join the Fascist Party in Milan. While the latter is an opportunist, the former is a Roman Catholic who is persuaded by his friend to join the party, and is convinced by the revolutionary program issued in Piazza San Sepolcro. In October, the two friends join a group of Fascists marching to Rome to take, but during the trip Rocchetti, seeing the behaviour of the fascist officials and the forces which help the party, gradually gives up his hopes about the fascist revolutionary program. When Rocchetti finally tries to escape, he is beaten almost to death. Gavazza saves him, and runs away with his friend. However, the March on Rome is made, and the two friends cannot help but watch in silence as the political change happens. The last scene of the movie shows King Victor Emmanuel III watching from the balcony of the Quirinal Palace the fascists. He then turns to Grand Admiral Paolo Thaon di Revel and tells him that he is willing to "test the fascists for some months".

Paris, at night. This is where Jeni, Wenceslas, Christine, Pascal and the others live. Homeless, they haunt the streets and bridges, and corridors of the metro ; on the edge of a world where society no longer offers protection. They face us and they talk.