演劇の舞台をスクリーンで上映する新しいエンターテインメント“ゲキ×シネ”の第5弾として、劇団☆新感線が市川染五郎を主演に迎えた舞台「朧の森に棲む鬼」を映像化。いにしえの神々が棲むという神秘の森。野心に満ちた男ライは、森の魔物“オボロ”に取引を持ちかけられる。それは、ライの命と引換えに王の座を約束するというものだった。取引に応じたライは、オボロに与えられた剣を手に血塗られた戦いに身を投じる。

演劇の舞台をスクリーンで上映する新しいエンターテインメント“ゲキ×シネ”の第5弾として、劇団☆新感線が市川染五郎を主演に迎えた舞台「朧の森に棲む鬼」を映像化。いにしえの神々が棲むという神秘の森。野心に満ちた男ライは、森の魔物“オボロ”に取引を持ちかけられる。それは、ライの命と引換えに王の座を約束するというものだった。取引に応じたライは、オボロに与えられた剣を手に血塗られた戦いに身を投じる。

暂无剧情简介

暂无剧情简介

As the film begins, Bunkichi (Takeshi Sakamoto), an affable ne'er-do-well who married late (after sowing quite a few wild oats in his own youth) is approached by members of the community to head a collection drive for a commemorative lantern, a level of responsibility for which his wife Okiyo teasingly calls into question his suitability. Bunkichi further proves his irresponsibility when his widowed sister Otoku asks him to speak her son Seiichi in order to advise him to concentrate on his studies (instead of frittering his time reading novels) and instead, takes the young man out for a night of drinking. However, when Seiichi becomes involved in an even more serious - and potentially life-altering - predicament, Bunkichi takes him under his wing and assumes responsibility to mitigate the consequences of the young man's indiscretion. Gosho's richly textured home drama is a refined and seemingly effortless examination of duty, sacrifice, and maturity. The film's curious title, a reference to the out-of-favor geisha turned Ginza bar hostess Terue, provides an evocative and haunting metaphor for human transience.

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At once a treatise on landscape, translation, and indigeneity, The Sojourn, from recent Baloise Art Prize winner Tiffany Sia, responds to the work of wuxia legend King Hu by way of his collaborators and the misty mountain panoramas of rural Taiwan.