“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

台湾喜剧片，张进望（马沙饰）与吴乐两个是无酒不欢的酒鬼，两人经常因为喝酒闹出很多糗事，老婆对他们很是气愤，把他们赶出家里，进而从事其他行业弄出一连串的笑话来。

台湾喜剧片，张进望（马沙饰）与吴乐两个是无酒不欢的酒鬼，两人经常因为喝酒闹出很多糗事，老婆对他们很是气愤，把他们赶出家里，进而从事其他行业弄出一连串的笑话来。

公元2030年，在一群天才科学家的带领下，生物工程学取得了极大突破，但所有新技术都会很快转化为军用，导致新一代军备竞争的开始。“尖兵”作为本时代生物工程学的最高成就、最尖端的武器，被广泛运用其中。虽然尖兵有着常人所不能及的战斗力，但由于纳米机器会透支生命，大部分尖兵在一定年限后，都会提前退役。 女主角琉璃在长久执行任务之后，她的生命也被严重透支。最后只剩下380天生命的琉璃，接到了一个新的任务——去一个平民设施中解救人质。 对于只会杀戮和战斗的她来说，这无疑是艰难的，但服从命令的她，依然执行了这个任务。 在这次行动中，她意外发现劫持人质的老大，居然是曾经的尖兵。一直喊着让政府交出“伊甸之子”的前尖兵周忠戎，让同为尖兵的琉璃充满了鄙视。为了解决这个尖兵中的败类，两个尖兵之间的战斗，就此展开……

Classic and key movie in Mexican drama and exploitation genre. This movie is rather depressing than shocking. As a kid this was a traumatic view as the main and most shocking scene takes the viewer by surprise. 　　The title tells you half you need to know. A young man is taking a shower when some "cubs" attack him and devour his genitals. The scene is pretty gory and raw but I repeat, it's not that shocking; it's depressing. As a child that scene impressed and shocked me, but now as a grown-up I understand the sad situation. 　　The rest of the plot deals with his normal life as an adult and how traumatic the experience is. He gets into a passionate relationship with a love caring and beautiful woman but everything gets horrible when they try to have a sexual relationship. 　　The movie is not that raw in visuals but in dialogs and character development it's truly disturbing. Low budget in Mexican cinema always means crudeness. You won't be disappointed if you like difficult topics displayed into movies.

Classic and key movie in Mexican drama and exploitation genre. This movie is rather depressing than shocking. As a kid this was a traumatic view as the main and most shocking scene takes the viewer by surprise. 　　The title tells you half you need to know. A young man is taking a shower when some "cubs" attack him and devour his genitals. The scene is pretty gory and raw but I repeat, it's not that shocking; it's depressing. As a child that scene impressed and shocked me, but now as a grown-up I understand the sad situation. 　　The rest of the plot deals with his normal life as an adult and how traumatic the experience is. He gets into a passionate relationship with a love caring and beautiful woman but everything gets horrible when they try to have a sexual relationship. 　　The movie is not that raw in visuals but in dialogs and character development it's truly disturbing. Low budget in Mexican cinema always means crudeness. You won't be disappointed if you like difficult topics displayed into movies.

Apirady 和 saisuda 相爱相杀，顺便撩个汉

Apirady 和 saisuda 相爱相杀，顺便撩个汉