这是一部1984年拍摄的纪录片，曾获文化部1984年新闻记录片奖和1985年金鸡奖提名。 　　本片从一个80岁老北京人的视角，展示了北京城历年历代的沧桑变化，整个叙述真实可信。北京凝聚了东方文明的集大成，她历经数十个世纪，饱受外夷入侵之苦，由明、清两代的紫禁城到后来的故宫，再到今天，她仍处于京城的中心。当今的北京不但是中国的名城，也是世界上数的着的历史文化名都。北京的街道自元朝打下基础，经明清逐渐形成大约有4500多条胡同的格局。古商铺、老字号遍布京城，百年老店不枚胜举，提起北京的发展变化，老人们总有说不完的话题......

这是一部1984年拍摄的纪录片，曾获文化部1984年新闻记录片奖和1985年金鸡奖提名。 　　本片从一个80岁老北京人的视角，展示了北京城历年历代的沧桑变化，整个叙述真实可信。北京凝聚了东方文明的集大成，她历经数十个世纪，饱受外夷入侵之苦，由明、清两代的紫禁城到后来的故宫，再到今天，她仍处于京城的中心。当今的北京不但是中国的名城，也是世界上数的着的历史文化名都。北京的街道自元朝打下基础，经明清逐渐形成大约有4500多条胡同的格局。古商铺、老字号遍布京城，百年老店不枚胜举，提起北京的发展变化，老人们总有说不完的话题......

盲眼的侦探特斯·艾弗瑞，与远程向导桑尼·帕特尔携手解决犯罪案件。他们利用科技和信任，挑战能力和边界的概念，同时处理各种案件。

在黑龙江的夏天，一对生活从未重叠的父子开始尝试一段短暂交流。

在黑龙江的夏天，一对生活从未重叠的父子开始尝试一段短暂交流。

影片大綱講述單親父子間無聲卻深刻的愛。透過細膩的日常動作傳遞溫情，儘管家庭貧困，心靈卻無比富足。爸爸不幸罹患癌末，他的心願是希望兒子實現升學夢想，看著兒子考上國立大學......

影片聚焦一个处于崩溃边缘的男人度过疯狂的一天，他的女儿给予他无条件的爱，帮助他平复心态。巴登和海耶克饰演青梅竹马的恋人/夫妻，范宁饰演他们的女儿。

影片聚焦一个处于崩溃边缘的男人度过疯狂的一天，他的女儿给予他无条件的爱，帮助他平复心态。巴登和海耶克饰演青梅竹马的恋人/夫妻，范宁饰演他们的女儿。

It is impossible to comprehensively map the ultimate extent of the damage wrought by the waves of the corona pandemic in all the layers of the society. It does not, however, require a lot of guesswork to see the links between the steeply increased numbers of corona patients, domestic violence cases and OnlyFans users. 　　Director Masaaki Kudo creates a directly intimate and dauntlessly raw portrait of young people who are enjoying their early twenties in the midst of restrictions in Tokyo and are due to a lack of financial security extremely vulnerable, trying to cope with lost jobs and the ever deepening debts each in their own way. Instead of a conventional melodrama, Kudo offers a dramaturgical approach that is provocatively honest. The result is a very bold look into a world where ambitions are day by day turning more into a mission to simply survive and make do. 　　Elise Eimre

It is impossible to comprehensively map the ultimate extent of the damage wrought by the waves of the corona pandemic in all the layers of the society. It does not, however, require a lot of guesswork to see the links between the steeply increased numbers of corona patients, domestic violence cases and OnlyFans users. 　　Director Masaaki Kudo creates a directly intimate and dauntlessly raw portrait of young people who are enjoying their early twenties in the midst of restrictions in Tokyo and are due to a lack of financial security extremely vulnerable, trying to cope with lost jobs and the ever deepening debts each in their own way. Instead of a conventional melodrama, Kudo offers a dramaturgical approach that is provocatively honest. The result is a very bold look into a world where ambitions are day by day turning more into a mission to simply survive and make do. 　　Elise Eimre