21世纪末期地球人口过多陷入战乱和资源稀少，但月球开发计划带来的大量矿物缓解问题让地球生活重新稳定，60年后月球背面的矿物富集区成为大型矿业基地和殖民地，然而太空工作高度危险性使整个矿区维持军事化管制传统，对于军管不满的新一代土生土长月球青年组成了恐怖组织四处破坏诉求于月球独立，因为月背永远见不到地球所以月球新生代对地球情感淡漠一时之间恐怖组织逐渐坐大人数增多。 　　在月球上还存在着巨大的迷之机械建筑DALLOS，从上方看着像一张巨大的人脸拥有神秘的科技，神秘建筑从被开挖出来后就是老一辈月球移民心中的信仰认为其有某种神性和谕示著一种命运。其来源众说纷纭，较为不信者认为是比矿工更早来的科学家集团为了某种实验建造而将神秘说法斥为无稽之谈，信仰者则认为是外星人或神的造物。 　　17岁的主角瞬是低阶机械工，无意间遇到了独立游击队领袖而卷入事件但内心抱持犹豫，同时新任警察司令阿雷克斯上任后展现了铁腕做法，认为将叛乱者全部斩尽才是解决方案，其早年在地球军校时见证过前往地球制造火车恐攻造成大量死伤的月球游击队来袭事件，从此抱持血战到底观点，但其女友在月球期间被游击队掳走，月球战争的摊牌时刻即将来临……

Before watching Buck Rogers in the 25th Century, can I make a suggestion? Deposit your brain in another room, sit down and enjoy a fantastic fun-filled show. 　　Gil Gerard (with a straight face) played Buck Rogers who was a man 500 years out of time. He awoke in the 25th century to battle evil, mainly the Draconians. He met other villains along the way. Joining him was an annoying (but loveable) robot called Twiki and the sexy Wilma Deering (played by Erin Gray). 　　Fans of Flash Gordon will enjoy this. It's camp, it's tongue in cheek and it's got everything a sci-fi fan will want. Forget painfully average shows like Star Trek:Voyager and check out this show full of action, drama and most importantly beautiful women.

在拯救了宇宙之后，史蒂文（Steven）仍然坚持解决著零碎的问题。当他解决了别人的所有问题后，他不得不开始面对自己的问题。

一群邪恶的生化人从地球的未来绑架人类作为奴隶，并把过去的恐龙当作追踪者使用。他们的一个奴隶逃跑了，逃到了现在的洛杉矶。在那里，他必须击退半机器人和他们的追踪者、警察和政府，由一名妓女转变为修女，经营着一个中途宿舍。

After the gruesome events on Caprini, Sharp and his elite team of tough, witty and trigger happy space Marines must now head out to the icy planet Mezzo to investigate further Ma'har activities. What they will encounter will defy their imaginations as they tackle giant man eating snow worms, an underground city of Cyborgs, a slew of murderous alien entities and maybe, finally, the ever elusive Ma'hars.

超低温下で重力がなくなる“冷却線“を使って、宇宙人・ナタールが地球侵略を開始した。地球の各地では、鉄橋が光りながら空中へ浮き上がったり、汽船が山に激突したり、海が凍って空に逆流したりと奇怪な事件が次々に起こる。科学者たちのグループは冷却線の攻撃に対抗すべく、熱線砲を開発、彼らの基地があると思われる月へと向かうが……。熱線砲を抱えて月へ出発するスピップ号、途中出くわす宇宙ステーション、そしてナタールの円盤群など、宇宙空間を舞台に特技監督・円谷英二の腕が全編に冴えわたったSF映画。1959年の製作とは思えない凝ったディテールと凄まじいアクションが魅力。

ヤーバン大王軍に故郷・フリード星を滅ぼされたデューク・フリード王子は敵の追撃を逃れて地球にたどりつき、宇門大介を名乗って平和に暮らしていた。 　　しかし侵略の魔の手はついに地球にも及び、デュークは元の姿に戻れば、もう宇門大介に戻れない事を承知で地球を護る為、UFOロボ・ガッタイガーに乗り込んで侵略軍に立ち向かう。

The Airship Destroyer is playing on the ever-recurring fear of invasion. All the same, the futuristic aspect of the threat makes it very original. For that matter, this film is subject to a particular destiny. 　　Six years after being first shown, it is projected again in 1915. At that time, the terror of zeppelin air raids hangs over England. Several bombings claim very many lives in Yarmouth and King’s Lynn. London is also aimed at. It is only in 1917 that the creation of anti-airship incendiary bullets and of a special regiment in the Royal Air Force contains the deadly raids. 1,500 British subjects are victims of this modern war instrument foreshadowed in this film. 　　The airships are made using special effects. The animation and the models are the work of a master: the underestimated Walter. R. Booth. Before even contributing to the early stages of cinema, Booth exercises his creativity and exuberant imagination as an amateur magician. From 1889 on, he produces films containing “tricks” that allow him to combine traditional drawing and animation techniques. His taste for science fiction feeds on numerous inspirations, particularly on the French Georges Méliès and Jules Verne. 　　In 1906, Booth joins the Charles Urban Trading Company. This producing company favors films that cover news, travel, science and natural history. Its founder, Charles Urban, born in the United States to German emigrant parents, radically develops cinema in England. His company supports Booth who sets up his studio in his garden of Isleworth. However, after a few years, Booth gives up and takes on advertising. His work remains unfortunately ignored, as does the rest of his career. 　　The original element is a dyed print on nitrate film base, which went from a private collection to the Deutsche Kinemathek in the sixties. It was reprinted at the Studio Cine laboratory using the Desmet color restoration system in 2003.

《宇宙小子》（Steven Universe）是卡通频道出品的电视动画剧集，由动画人丽贝卡·休格（Rebecca Sugar）创作。 　　在《宇宙小子》的世界里，由一组宝石战士保护宇宙免遭邪恶力量的威胁。主人公小男孩史蒂文·宇宙继承了母亲的宝石力量 ，与其他三位宝石战士石榴、珍珠、紫晶一起生活。剧集围绕他们展开，讲述了史蒂文和三位宝石战士姐姐一起，在日常生活中拯救世界，以及探索自身神奇能力的成长故事。

《宇宙小子》（Steven Universe）是卡通频道出品的电视动画剧集，由动画人丽贝卡·休格（Rebecca Sugar）创作。 　　在《宇宙小子》的世界里，由一组宝石战士保护宇宙免遭邪恶力量的威胁。主人公小男孩史蒂文·宇宙继承了母亲的宝石力量 ，与其他三位宝石战士石榴、珍珠、紫晶一起生活。剧集围绕他们展开，讲述了史蒂文和三位宝石战士姐姐一起，在日常生活中拯救世界，以及探索自身神奇能力的成长故事。