After moving into a new house, a young woman experiences a terrifying series of encounters with something evil. The whole nightmare is captured on her door camera.

After moving into a new house, a young woman experiences a terrifying series of encounters with something evil. The whole nightmare is captured on her door camera.

1950年的有一天，流浪乐师佑龙（柳承龙）和英南（具承炫）父子在去首尔的途中偶然走入了在地图上都找不到的深山村子里。不同于外面混乱的世界，在村长（…

Ushpizin意为客人，在犹太人的传统节日Succoth Holiday，家家户户都要建一个临时小屋子，吃住在里面以纪念Exodus时期（出埃及）。 　　Moshe和Mali是耶路撒冷的一对虔诚的犹太教夫妇，结婚五年尚无一儿半女。犹太人神圣的节日将临，两人却穷困得已经捉襟见肘了。 　　就在他们向神祈祷时，神奇的事情发生了。神听到了他们的声音并给他们送来1000美元。但是紧接而来的是对他们的考验。两名逃犯作为客人逃奔Moshe而来，夫妇俩对两人的身份蒙在鼓里，以为这又是上天的礼物，只要他们以礼相待，他们就会得到一个期盼已久的孩子。 　　他们把两名逃犯当作信使，但逃犯在犹太正统派教区里肆意的行为惹来了周遭居民的不满，究竟Moshe和Mali是否会经受住神对他们的考验呢？

电影改编自德国传说《花衣魔笛手》，讲述在朝鲜战争结束不久，一位名叫武龙（柳承龙饰）的魔笛手和他的儿子一起来到一个遭受到严重鼠患的偏远山区村庄。村长（李圣旻饰）允许武龙留下来，让他做些零工并且达成了驱除鼠患的交易。到了武龙要村长兑换诺言并离开的时候，却发现被欺骗了。武龙发誓要报仇，他把老鼠引回村庄，让村庄笼罩在恐怖之中，为实现一个古老的预言。

One blazing summer day, Ja-gyung, a sixteen-year-old girl, is pissed off with her dad’s affair. She barges into her dad’s mistress’ house and encounters her two little kids.

A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.

One blazing summer day, Ja-gyung, a sixteen-year-old girl, is pissed off with her dad’s affair. She barges into her dad’s mistress’ house and encounters her two little kids.

If we regard wandering as a way of inhabiting a place without claiming ownership or blending into it—a notion still open to question—the inner movement within this wandering, which sometimes feels like stillness, indeed traces an irreversible line toward a gradual dispossession of self. Dispossession in all its forms, yet primarily there is the issue of language. In the short film Le Livre laissé blanc, we explore the protagonist’s conscious journey as she confronts her loss of language within the inner landscape of her wandering. She attempts to remember her lost language or, alternatively, to make the language of the Other her own.