The dead are coming back to life outside the isolated Mi'gMaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. 　　The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. 　　The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". 　　Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

一个几近被社会抛弃的人逆袭成为毒枭，一个体制内受掣肘的普通民警，因毒品交易卷入大案，凭借顽强意志，对抗各方，展开双雄对决，干掉保护伞，誓将毒枭统之以法。

一个几近被社会抛弃的人逆袭成为毒枭，一个体制内受掣肘的普通民警，因毒品交易卷入大案，凭借顽强意志，对抗各方，展开双雄对决，干掉保护伞，誓将毒枭统之以法。

讲述的是拿着粉丝俱乐部公款寻找消失的母亲的女儿知道了一辈子都不知道的妈妈真实身份的故事。

弗洛里的爸爸离开了。他的妈妈介绍“大胖子”（Der Dicke）作为她的新伴侣。弗洛里爱他的爸爸。他对这个新男人不感兴趣。他玩耍、盯着女孩看，还喜欢踢足球。他能接受这些变化吗？

讲述的是拿着粉丝俱乐部公款寻找消失的母亲的女儿知道了一辈子都不知道的妈妈真实身份的故事。

比足球还大两圈的剧毒冰雹席卷全球,伴随着水源污染和食物短缺,人类进入残酷的末日天灾中,不料比天灾更恐怖的却是人心,作为上门女婿的我，为刘家人做牛做马，他们仅仅是因为想吃肉就要把我做成烧烤，接下来我该如何生存。