当神秘的位面融合发生，全人类被卷入诡异世界。这里危机四伏，恐怖的怪物、未知的陷阱时刻威胁着生命，稍有不慎便会万劫不复。但同时，难以想象的机遇也隐藏其中，稀世珍宝、强大技能等待有缘人发掘。在这绝境中，人类能否利用机遇克服危险，闯出一条求生之路？

末世降临，大家都觉醒了异能，有人能控水，有人能喷火，而我的异能是剥夺刘波的异能。是的，我只能剥夺名字叫刘波的人的异能。三年过去了，不仅没遇到一个刘波，还因为异能废柴被人打压欺辱。后来我在贫民窟捡垃圾时跟要饭的闺蜜重逢，我跟她抱头痛哭，闺蜜哀嚎，凭什么别人的异能都那么厉害，而我只能给别人改名叫刘波。我愣住了，你说什么？？

故事讲述三个年轻人去当地医生家里进行偷窃，意想不到的是，医生提前回到了家中。

故事讲述三个年轻人去当地医生家里进行偷窃，意想不到的是，医生提前回到了家中。

三兄妹被迫離開城市，打算回到村莊裡的老家居住，但區長的酗酒弟弟已在老屋非法住了十年，三兄妹試著取回房屋，但警察不斷騷擾。語言：哈薩克語，俄語 　　 　　25歲的約翰和弟弟厄伯、生病的12歲妹妹艾莉亞相依為命，卻被迫搬離位於阿拉木圖的家，幸好母親還留了一間屋子在鄉下。沒想到，區長的酒鬼弟弟已在老屋非法住了10年，還打算據為己有，警察無所不用其極來騷擾三兄妹。《屋主》透過荒謬的手法，描述在大眾漠視的情況下，經常性的不公義會如何演變成難以預料的殘酷行為

女主在母亲亡故后，被生父男二与舅舅罗远洲狠心抛弃。首富男主见她眼神酷似故人，将其收为养女，男主家从此把她宠成掌上明珠。为护女主，男主怒怼恶房东、斥责冷漠生父。而拥有听见万物密语异能的女主，也用这份特殊能力帮养父揪出公司卧底，彼此守护着温暖生活。

《乐人无数》是PPTV音乐频道自制的一档音乐访谈类直播节目，通过直播方式，为广大网友增加与偶像的见面机会；网友可通过发送弹幕，实现“面对面”交流。栏目开播至今，已邀请到The One、小室哲哉、任贤齐、蔡健雅、徐怀钰、黄义达、Alin、薛之谦、SNH48等知名音乐人分享音乐故事。

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career. 　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else. 　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.” 　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.

本作は田舎に住む祖父母に会いに行く看護学生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自体を揺るがすような根源的な恐怖に直面する。

本作は田舎に住む祖父母に会いに行く看護学生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自体を揺るがすような根源的な恐怖に直面する。