The last exams at school, everyone is in a celebratory mood. The transgender teenager Noah is one of them - but he’s often thrown out of this happy mood and overtaken by tormenting memories. In dazzling snapshots cut against each other, the trauma of the death of a friend is vividly experienced.

李一灵穿越为大圣王朝满级皇帝，却遇全员恋爱脑奇葩：皇后索要虎符赠白月光，宠妃逼他给心上人封侯，太后勾结小白脸欲毒杀他夺权。他摒弃原主舔狗人设，化身铁血暴君，诛灭叛乱者及党羽，巩固皇权。面对关外王为兄弟之仇起兵造反，他凭堪比关羽的将领与隐藏修仙者老太监化解危机，最终放弃皇位，踏上修仙之路。

李一灵穿越成大圣王朝皇帝，却发现后宫全员恋爱脑：皇后要虎符送白月光，宠妃逼他给情夫封侯，太后勾结外人欲毒杀夺权。他一改舔狗作风，化身铁血暴君平叛固权，又凭猛将与修仙老太监击退关外叛军，最终放弃皇位，踏上修仙之路。

大夏天尊陆天隐姓埋名在家中为几位姐姐洗衣做饭，暗中不断帮助几位姐姐摆平一些琐事。不料姐姐们事业有成后，却嫌弃陆天整日在家中无所事事，甚至在找回走失的亲弟弟后将陆天赶出家门。一怒之下陆天召集手下，开始筹备自己的报复计划......

林语心为赶和丈夫陆沉舟的结婚纪念日，买了特价机票，却遭丈夫陆沉舟的白月光苏娇娇讨要。林语心拒绝后，竟被陆沉舟丢进荒漠直播羞辱。荒漠里，林语心濒临死亡。危急时刻林见川赶到，救走林语心。陆沉舟与苏娇娇反被留在荒漠受惩。离开荒漠的林语心对陆沉舟彻底心死，拒绝陆沉舟的忏悔。陆沉舟不死心，设计英雄救美，却害林语心身陷险境。陆沉舟祈求林语心回头，林语心再次拒绝。最终林语心与林见川走到一起，获得幸福生活。

乱世不祥，少年陈长命得系统刀意，踏仙途。杂灵根遭弃，他以万次拔刀、百炼体魄逆命；半块升仙令为饵，琉璃宗设局夺爱。为护灵儿，他斩天骄、灭血煞，一剑敲钟凌霄顶；筑基战结丹，天甲诀大成，鬼雾吞金丹，真意镇山河。宗门崩塌，师姐被囚，他血洗凌霄，踏碎琉璃，携灵儿、罗岚、杜小凉三女远走，誓把天下不平，尽斩刀下。

仙王张昊天因对抗心魔老人永堕轮回成凡人，遭女友杨千雪背叛濒死之际觉醒仙王能力。他偶遇并救助夏家千金夏语冰，却因救夏横江被误认为是骗子。期间，夏语冰被周百川强娶未遂，张昊天在化解夏家危机时，逐渐展现非凡实力，开启快意都市人生。

仙王张昊天因对抗心魔老人永堕轮回成人，遭女友杨千雪背叛濒死之际觉醒仙王能力。他偶遇并救助夏家千金夏语冰，却因救夏横江被误认为是骗子。期间，夏语冰被周百川强娶未遂，张昊天在化解夏家危机时，逐渐展现非凡实力，开启快意都市人生。

In a snowy landscape, the camera pulls back slowly to reveal Yoko Ono and John Lennon in the square of a little rustic town; it continues retreating and simultaneously rising into the sky,mounted on a balloon that remains invisible throughout. Dogs bark, there are voices. The surroundings of the town come into view, then a panorama of the entire region; suddenly, blankness for five minutes -- an unbearably long period in the cinema. When all hope is gone, the screen bursts into a pink explosion of sky, sun, and cloud tops; the camera had risen (in real, not screen time) through an enormous cloud band, and had passed, by means of minimal art, from separateness to oneness with theworld, "rising into heaven" in a beautifully romantic, purely visual metaphor of spiritual ascension. 　　---- Amos Vogel “Film as asubversive art”