西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

上世纪30年代，一家德国巧克力厂的老板是俄国人，面对婚姻和事业双重触礁，万念俱灰。他幻想脱离自己的生活，如同灵魂出窍似的从旁观察自己。当他看到一个街头流浪汉时，那人在他眼里跟他自己长得一模一样。为了“互换身份”，他杀死了对方。 　　本片跟法斯宾德其他作品有很大差异，他采用了知名编剧的剧本，而且还是改编自纳博科夫的小说。精彩对白似乎集中在影片的前三分之一。影片大胆、俗气，曾遭到广泛的恶评。

在驱车穿越奈维达沙漠前往盐湖的途中，皮特•杰克森（Henry Thomas 饰）及其妻子玛丽（Annabeth Gish 饰）因汽车爆胎缘故被克里警官逮捕。克里将夫妇俩带往绝望镇，杰克森恐惧地发现，这个镇上遍布着尸体。当他们意识到自己身处危险之中时，邪恶的克里终于露出狰狞面孔，将皮特射杀。 　　在监狱中，玛丽遇见卡沃一家、当地人汤姆（Charles Durning 饰）以及作家约翰（Tom Skerritt 饰）。他们计划逃出这个杀人魔窟，并且借助卡沃夫妇小儿子大卫（Shane Haboucha 饰）的神奇力量，众人更得知150年前曾在绝望镇发生的一起惨剧……

When mobster Walt Radak tries to trick independent trucker Steve Randall into transporting stolen furs, Steve alerts the police, and Walt's young brother Al is caught and held for a cop-killing. When ruthless Radak tries to extort Steve's help in clearing Al, Steve and his young wife flee for their lives, only to find that the police are also in pursuit. With every man's hand against them, Steve and Anne must repeatedly abandon their temporary refuges. Finally, one midnight, the showdown...

在驱车穿越奈维达沙漠前往盐湖的途中，皮特•杰克森（Henry Thomas 饰）及其妻子玛丽（Annabeth Gish 饰）因汽车爆胎缘故被克里警官逮捕。克里将夫妇俩带往绝望镇，杰克森恐惧地发现，这个镇上遍布着尸体。当他们意识到自己身处危险之中时，邪恶的克里终于露出狰狞面孔，将皮特射杀。 　　在监狱中，玛丽遇见卡沃一家、当地人汤姆（Charles Durning 饰）以及作家约翰（Tom Skerritt 饰）。他们计划逃出这个杀人魔窟，并且借助卡沃夫妇小儿子大卫（Shane Haboucha 饰）的神奇力量，众人更得知150年前曾在绝望镇发生的一起惨剧……

"凌晨三点，我的手机突然响了，“妈妈，明天早上千万别走钟泉路!电话那头传来一个小男孩急切的声音。我直接挂断这通诈骗电话，因为我根本没有孩子。我像往常一样走钟泉路去上班。突然迎面走来的人掏出一把刀，径直刺进了我的胸口.…刺骨的疼痛让我瞬间清醒。我猛地坐起来，大口喘气，手入摸向胸口， "