《拯救人类》先导概念片是由兰波导演执导的一部废土公路风格的科幻喜剧，讲述了在末日之后人类文明退化到原始状态，一个机器人被一个中二原始人类激活，从而要带领人类重返文明之地。蛮荒懵懂的原始人与未来科技打造的冷峻机器人之间存在了极大的风格反差，也碰撞出了很多笑料。

深渊代表着纯粹的湮灭，遵循着本能吞噬世间的一切生命。 然而某一天里，它们中出了叛徒——懵懂少女希尔维嘉在战场上醒来，得知自己竟然是被人类憎恶的“白夜深渊”，经历种种后，希尔维嘉逐渐坚定自己的信念，想要凭借深渊之躯，拯救人类的命运，守护心中的善良和温暖。

肖邦的《G小调第一叙事曲》总长仅九分钟，诞生至今已有近二百年，却依然有着特殊的魅力，不但在视频网站上创下数百万的点击率，更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生桃香，在各自经历了人生的不幸之后，因肖邦的叙事曲而重新振作，勇敢面对今后的生活。伊莫金·库珀、弗拉基米尔·阿什肯纳齐、朗朗、斯蒂芬·霍夫等钢琴演奏家也将轮番登场，详细剖析这首不同寻常的钢琴曲，为我们揭开音符中的奥妙。 　　This hour-long documentary, directed by BAFTA and Emmy award winning director James Kent, meets Japanese teenager Momoka and Scottish music student Paul Murray to explore how Chopin’s extraordinary Ballade Number 1 transforms the lives of ordinary people and illustrates how classical music still penetrates contemporary life in unexpected and powerful ways. 　　Momoka, is a 15-year-old pianist from Sendai, Japan, whose community was decimated by the 2011 tsunami and earthquakes. For Momoka, the Ballade embodies the anguish and rebellion she feels but doesn't allow to surface. 　　For 22-year-old Paul from Glasgow, the piece is life-changing. Paul grew up in Bellshill, a working class suburb of Glasgow. He first played piano at 15, and it opened up a whole new world for him. During his first term studying on the B.Mus (Hons) degree programme at the University of Aberdeen, Paul was diagnosed with a brain tumour and then MS which both eventually caused him to lose the ability to walk and to play with his right hand. Waiting in his hospital bed in between operations over three months, he played the Ballade again and again on the iPod his dad Stephen had given him. It was that single piece's emotional pull that Paul credits with the return of his memory. 　　Paul told us some more about his involvement in the programme: 　　"I have been for some time now transcribing the Ballade in g minor for the left-hand alone. The reason being I played this piece back in high school and with the medical complications lost the ability to play perhaps my favourite piece of all time. Luckily for my this piece was going to be the subject of a major documentary and with my story and attachment to the Ballade I was selected to be involved!" 　　The film includes interviews with some of the world's greatest pianists including Stephen Hough, Lang Lang and Vladimir Ashkenazy. It was shown on Channel 4 in August and trailers can still be viewed on YouTube: http://www.youtube.com/watch?v=3J6KDmTE0F0 / http://youtu.be/4JM_KELsU4c 　　The documentary was awarded 2nd place in the 'Halo' Best Arts Documentary award category at the awards ceremony on Monday, 4 November 2013 at the Queen Elizabeth Hall at London’s Southbank Centre. The ceremony was filmed and shown on Sky Atlantic.

《末日拯救》剧本创作于长篇小说《三体》之前，是刘慈欣科幻体系的奠基石。

"Ce qui est mystique, ce n’est pas comment est le monde, mais le fait qu’il est." Anne apprend qu’elle est atteinte d’une maladie grave et que la mort l’attend si elle ne se fait pas tout de suite hospitaliser. Elle se sent pourtant bien et n’éprouve aucun symptôme. Elle part en Auvergne pour quelques semaines. En Auvergne, Anne éprouve un intense sentiment de vie, sentiment qu’elle n’avait jusqu’alors encore jamais ressenti. Un ami rend visite à Anne. Ils évoquent les changements survenus dans leur vie, un dialogue se crée entre deux amis.

气候控制器失控酿全球灾难，人类躲进 “净土” 穹顶，寄望星际移民。工程师刘仁意外发现，AI 正封锁末日裂缝的真相 —— 原是人类为移民牺牲多数人的阴谋。当改造人雪遥携证据出现，AI 与人类的杀戮爆发，究竟是谁在毁灭世界？

『竜馬がゆく』于1968年1月7日至12月29日放送，是为纪念明治维新一百周年而制作的NHK大河剧第6作，根据司马辽太郎同名原作改编。全52回，平均收视率14.5%。

#5

Jonny, ein etwa 12jähriger Junge, dessen Vater unbekannt ist und dessen Mutter ihn nicht mehr zu Hause haben wollte und ihn deswegen in ein Kinderheim abgeschoben hat, sehnt sich nach einer Familie. So macht er sich eines Tages auf den Weg zur Familie des Arztes, der die Heimkinder medizinisch betreut und zu dem er sich hingezogen fühlt. Zunächst reagiert dessen Familie recht positiv auf Jonny. Das trotzige und teilweise aggressive Verhalten führen jedoch dazu, dass der Plan, Jonny endgültig aus dem Heim zu holen, ihn möglicherweise zu adoptieren, ins Wanken gerät... - www.matthias-film.de 　　Controversial scenes: 　　In one scene the mother gets Thomas (5) out the bathtub for drying and dressing him (full nudity). After that the other 2 older boys leave the bathtub. Short rear view of Sascha (Benjamin Burkhardt, 11) and partial side view of Jonny (Sebastian Hattop, 13). 　　Later in another bath scene a glimpse rear view of Sascha.