公司一起出海游玩，没想到出现事故，大家都被沦落到荒无人烟的荒岛上，王野看苏总昏迷不醒，只能人工呼吸把她唤醒，没想到反被她当成流氓给了一巴掌，但是在这荒无人烟的荒岛上只有王野有能到食物的能力，苏总不得不和王野站成一队，一起打脸其他同事。

公司一起出海游玩，没想到出现事故，大家都被沦落到荒无人烟的荒岛上，王野看苏总昏迷不醒，只能人工呼吸把她唤醒，没想到反被她当成流氓给了一巴掌，但是在这荒无人烟的荒岛上只有王野有能到食物的能力，苏总不得不和王野站成一队，一起打脸其他同事。

2026年8月，金秋时节气温骤降至零下60度，一场毫无征兆的极寒灾难降临。五线小城的一家人因早年发现并改造的废弃防空洞幸免于难。此前，父母用占地补偿款承包荒山种果树，姐弟俩偶然发现防空洞，后将其改造成仓库。灾难来临前，一家人凭借神秘预警短信迅速反应，整合285万资金采购物资，利用山洞的天然保暖性和4000平米空间囤积粮食、煤炭。在外界陷入混乱、气温低至零下100度的四年里，他们依靠山洞内的火炕、土锅炉和天坑水源艰难求生。2030年，气温回升，冰雪融化，一家人迎来希望，见证果园果树重新发芽，感悟灾难中家人团结与未雨绸缪的重要性。

A gray lizard with yellow spots sits quietly on a tree stump, as digital cameras revolve around it. Click, click, click—the lizard is captured from every angle. Our Ark begins with a company that is making 3D copies of every animal on Earth—starting with the endangered species. A kind of virtual Noah’s ark. 　　Filmmakers Deniz Tortum and Kathryn Hamilton use this digital recording process as the starting point for a visual essay. Now that we have the technological capabilities, we’re trying make a sort of back-up of the entire world—forests are being digitally archived, as are monuments, and even everyday objects like garbage bags. 　　Shots of natural objects alternate with their 3D duplicates; the commentary offers explanation, but at the same time leaves room for us to ask our own questions. Who are all these digital archives for? What purpose is served by our urge to record everything? Do we hope to be able to bring this world back to life? And what happens to our notion of the real world if we think we can reduce it to ones and zeros?

A gray lizard with yellow spots sits quietly on a tree stump, as digital cameras revolve around it. Click, click, click—the lizard is captured from every angle. Our Ark begins with a company that is making 3D copies of every animal on Earth—starting with the endangered species. A kind of virtual Noah’s ark. 　　Filmmakers Deniz Tortum and Kathryn Hamilton use this digital recording process as the starting point for a visual essay. Now that we have the technological capabilities, we’re trying make a sort of back-up of the entire world—forests are being digitally archived, as are monuments, and even everyday objects like garbage bags. 　　Shots of natural objects alternate with their 3D duplicates; the commentary offers explanation, but at the same time leaves room for us to ask our own questions. Who are all these digital archives for? What purpose is served by our urge to record everything? Do we hope to be able to bring this world back to life? And what happens to our notion of the real world if we think we can reduce it to ones and zeros?

皇帝骤然驾崩，苏清禾一夜从不起眼的后宫妃嫔，意外登上太后之位。她本想做条咸鱼，安安稳稳带幼帝躺赢深宫，却不得不直面朝局动荡与后宫暗流。 辅政大臣秦墨寒素来禁欲严苛，行事堪称“卷王”，见她处境艰难，总在关键时刻挺身而出：化解朝臣刁难、平定后宫风波、扫清政敌暗算，次次帮她化险为夷。 朝夕相处中，苏清禾渐渐依赖这份可靠，秦墨寒也对看似咸鱼却通透坚韧的她动了心，深宫高墙里，暧昧情愫悄然蔓延。

在泰拉的大地上，各地不规则地发生着原因不明的天灾。因此，大多数人为了逃避天灾生活在长年累月以来开发的移动城邦。留在天灾旧址上的拥有巨大能量的源石，一方面有助于文明的飞跃性进步，另一方面也会制造不治之症——矿石病。矿石病的感染者身体逐渐结晶，死亡时会成为新的感染源，各国都建立了隔离和强制劳动的体制使得感染者成为迫害对象。受压迫的感染者们举起了反旗，研究矿石病治疗方法的制药公司“罗德岛”，为了从疾病中拯救所有人，拿起武器，走上了属于自己的生存之道。

孤儿狗天无激活提前30天的末日系统，一星流民属性垃圾，却在南大教室遇系统BUG：躲避“五星丧尸”系花张甜甜，竟获经验值与5秒潜行技能。系统超前反应让他窥见逆袭契机，开始记录末日计划，穷小子的求生战就此拉开序幕。

孤儿狗天无激活提前30天的末日系统，一星流民属性垃圾，却在南大教室遇系统BUG：躲避“五星丧尸”系花张甜甜，竟获经验值与5秒潜行技能。系统超前反应让他窥见逆袭契机，开始记录末日计划，穷小子的求生战就此拉开序幕。

末世爆发，惶恐蔓延 李淳玉获得传承，变成了纤柔美丽的漂亮妹子? 这是闹哪样?但好像还有机会恢复。 只要救了别人，再让别人恩将仇报杀了她，李淳玉，哦不，是李纯欲就可以成为神明。 于是，李纯欲开始四处救人，救了人之后疯狂奚落嘲讽掌掴别人，试图激怒让人反杀她。