2026年8月，金秋时节气温骤降至零下60度，一场毫无征兆的极寒灾难降临。五线小城的一家人因早年发现并改造的废弃防空洞幸免于难。此前，父母用占地补偿款承包荒山种果树，姐弟俩偶然发现防空洞，后将其改造成仓库。灾难来临前，一家人凭借神秘预警短信迅速反应，整合285万资金采购物资，利用山洞的天然保暖性和4000平米空间囤积粮食、煤炭。在外界陷入混乱、气温低至零下100度的四年里，他们依靠山洞内的火炕、土锅炉和天坑水源艰难求生。2030年，气温回升，冰雪融化，一家人迎来希望，见证果园果树重新发芽，感悟灾难中家人团结与未雨绸缪的重要性。

上一世，暴雨灭世，全球沦为汪洋。林绾被表妹带人洗劫，最终死在洪水中。双双重生回灾难降临前的家庭聚会，面对外公临死前的赠礼：小卖部VS豪华游艇。叶雪抢先拿下了“小卖部”，嘲讽林绾是“海上漂流瓶”，坐等她饿死在船上。林绾淡然一笑，果断拿走游艇钥匙。她知道，这场大雨不会停歇！这一世，林绾变卖家产，贩卖古董，疯狂囤货，激活“诺亚方舟系统”。当叶雪被饥民围攻、跪地求救时，林绾正驾驶着改装成核动力堡垒的“波塞冬号”，在恒温船舱里吃着冰镇草莓，笑看末日风云。战海怪、灭海盗、收编官方舰队。这一世，她要当这水世界的无冕之王！

A gray lizard with yellow spots sits quietly on a tree stump, as digital cameras revolve around it. Click, click, click—the lizard is captured from every angle. Our Ark begins with a company that is making 3D copies of every animal on Earth—starting with the endangered species. A kind of virtual Noah’s ark. 　　Filmmakers Deniz Tortum and Kathryn Hamilton use this digital recording process as the starting point for a visual essay. Now that we have the technological capabilities, we’re trying make a sort of back-up of the entire world—forests are being digitally archived, as are monuments, and even everyday objects like garbage bags. 　　Shots of natural objects alternate with their 3D duplicates; the commentary offers explanation, but at the same time leaves room for us to ask our own questions. Who are all these digital archives for? What purpose is served by our urge to record everything? Do we hope to be able to bring this world back to life? And what happens to our notion of the real world if we think we can reduce it to ones and zeros?

A gray lizard with yellow spots sits quietly on a tree stump, as digital cameras revolve around it. Click, click, click—the lizard is captured from every angle. Our Ark begins with a company that is making 3D copies of every animal on Earth—starting with the endangered species. A kind of virtual Noah’s ark. 　　Filmmakers Deniz Tortum and Kathryn Hamilton use this digital recording process as the starting point for a visual essay. Now that we have the technological capabilities, we’re trying make a sort of back-up of the entire world—forests are being digitally archived, as are monuments, and even everyday objects like garbage bags. 　　Shots of natural objects alternate with their 3D duplicates; the commentary offers explanation, but at the same time leaves room for us to ask our own questions. Who are all these digital archives for? What purpose is served by our urge to record everything? Do we hope to be able to bring this world back to life? And what happens to our notion of the real world if we think we can reduce it to ones and zeros?

那一夜，我独自宰杀了十万头牛。 当黎明来临，最后一扇仓库门在我身后缓缓合拢，空气中弥漫着浓重得化不开的血腥味。我的双手因长时间握刀而不住颤抖，衣襟早已被血与汗浸透。 消息传开，整个镇子的人都涌到我的庄园外，愤怒的咒骂如潮水般涌来。 “疯子！屠夫！”

那一夜，我独自宰杀了十万头牛。 当黎明来临，最后一扇仓库门在我身后缓缓合拢，空气中弥漫着浓重得化不开的血腥味。我的双手因长时间握刀而不住颤抖，衣襟早已被血与汗浸透。 消息传开，整个镇子的人都涌到我的庄园外，愤怒的咒骂如潮水般涌来。 “疯子！屠夫！”

在泰拉的大地上，各地不规则地发生着原因不明的天灾。因此，大多数人为了逃避天灾生活在长年累月以来开发的移动城邦。留在天灾旧址上的拥有巨大能量的源石，一方面有助于文明的飞跃性进步，另一方面也会制造不治之症——矿石病。矿石病的感染者身体逐渐结晶，死亡时会成为新的感染源，各国都建立了隔离和强制劳动的体制使得感染者成为迫害对象。受压迫的感染者们举起了反旗，研究矿石病治疗方法的制药公司“罗德岛”，为了从疾病中拯救所有人，拿起武器，走上了属于自己的生存之道。

江寒重生了。前世，他身家千万却死在绿茶女友和奸夫的刀下，被弃尸于零下五十度的荒原。带着满腔怒火，他回到了极寒末世降临前一个月。 这一次，他挥霍两千万，在所有人嘲讽的目光中买下了那座坐落在乱葬岗上的“顶级凶宅”。所有人都以为他疯了，直到末日降临，全球冰封，城市化为冰窖。当世人为了半块饼干自相残杀时，江寒却在凶宅地底悠闲地煎着和牛。 剥开凶宅恐怖的玄学外壳，下方竟是深藏百年的民国地热实验室。面对前女友的跪地哀求、掠夺者的重炮强攻、权贵基地的威逼利诱，江寒坐镇地心，以物理规律为刃，以地热能源为甲，将凶宅打造为冰河世纪唯一的温暖堡垒，重塑末世秩序，涅槃称王。

前世被丈夫一家压榨并推入冰雪活活冻死的顾念，重生回到了末世降临的前三天。面对虚伪贪婪的丈夫，她果断设局套空对方资产，带着巨款在半山别墅区顶层打造了一座坚不可摧、物资如山的安全屋。当零下六十度的极寒骤然降临，末世的残酷画卷徐徐展开。顾念在恒温的安全屋里享受生活，而将房子抵押的丈夫一家只能在冰天雪地中绝望挣扎。随着天灾不断升级，人性的恶被无限放大。门外的恶人们为了半块发霉的面包和一粒消炎药互相残杀，最终在无尽的懊悔与痛苦中走向灭亡。大仇得报后，真正的官方救援队抵达。顾念没有选择在孤岛中孤独终老，而是带着海量的战略物资与无土栽培技术，以顶级合伙人的身份加入国家地下长城基地，迎来人类文明重建的破晓。

前世，我在极寒末世中被渣男丈夫郭峰出卖，惨遭凌虐致死，女儿笑笑也因他而亡。重生回到末世前7天，我誓要守护家人。然而，郭峰却重蹈覆辙，宁愿去接送他的白月光陈若菊，也对我和女儿的安危不闻不问。看着陈若菊在朋友圈里炫耀，我彻底看清了他的真面目。这一次，我决定摆脱渣男，带着笑笑，利用这一周时间为极寒末世做足准备，展开一场属于我们母女的终极求生。