独立生活一个月后，义赫希望自己的独立生活能有一个激动人心、充满戏剧性的开端，但没想到会是这样的戏剧。但他没想到的是，隔壁公寓传来的雷鸣般的噪音让他备受煎熬。 　　他下定决心要结束这一切，于是与邻居对峙，却不小心打了邻居一拳，让事情变得更糟。 　　义赫想尽了一切办法，从幼稚的恶作剧到卑鄙的权术，但他的邻居就是不为所动。他甚至跪在地上恳求停止噪音。就在这场争吵似乎永远不会结束的时候，他们终于达成了令人不安的休战协议。 　　在这过程中，义赫意识到自己可能爱上了那个曾经把他逼上绝路的人。

独立生活一个月后，义赫希望自己的独立生活能有一个激动人心、充满戏剧性的开端，但没想到会是这样的戏剧。但他没想到的是，隔壁公寓传来的雷鸣般的噪音让他备受煎熬。 　　他下定决心要结束这一切，于是与邻居对峙，却不小心打了邻居一拳，让事情变得更糟。 　　义赫想尽了一切办法，从幼稚的恶作剧到卑鄙的权术，但他的邻居就是不为所动。他甚至跪在地上恳求停止噪音。就在这场争吵似乎永远不会结束的时候，他们终于达成了令人不安的休战协议。 　　在这过程中，义赫意识到自己可能爱上了那个曾经把他逼上绝路的人。

Alani and Gabriel are a couple of vampires tired of life together. Alani wishes to have a child, but Gabriel doesn't. One night, Gabriel invites a few friends over for dinner. During that dinner, the conflicts of the couples and pregnancies will be evidenced.

Joyce Barnaby discovers one of her fellow outdoor art class students, Ruth Fairfax murdered and husband Tom, assisted by DS Troy, has yet another case to solve. Fairfax presented herself as an elderly resident and she always insisted on sitting in exactly the same spot in the village green. Imagine the investigators surprise when the autopsy actually reveals her to be a thirty-something woman who disguised herself with wigs and make-up. The case take a peculiar twist when Barnaby is ordered off the case and replaced by a senior officer from the National Intelligence Team. This is especially so when the senior investigating officer is never present and the case is seemingly left in the hands of a DS and a DC who appear less than competent.

Sigmund Freud's newest patient is a vampire fed up with his undying relationship with his wife.

该故事改编自奈德·维兹尼的小说及百老汇音乐剧，这一成人故事聚焦于普通青少年杰里米·海尔。在追求受欢迎的诱惑下，他吃下一片据说能让人更冷静的药片。

根据奈德·维兹尼的小说和百老汇音乐剧改编，这个成人故事讲述了杰里米·海尔的故事，他是一个普通的青少年，在受大众欢迎的诱惑下，吃了一片据说能让人更…冷静的药片。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.