讲述朱可夫卫国战争胜利后大起大落的人生故事。

讲述朱可夫卫国战争胜利后大起大落的人生故事。

Beyond the edges of the frame influential filmmaker Andrei Tarkovsky give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another. 　　Broadcast on BBC2 Arena, 13 March 1987. Contains interview footage with Tarkovsky as he discusses each of his seven major films. He also talks about his world-view and his philosophy of filmmaking. 　　Tarkovsky candidly and articulately discusses the difficulties of making films under the censors of the Soviet Union. He explores his aesthetic ideology, filmmakers he admires, and his eventual self-exile from Russia. He talks about recurring images in his movies - water, horses, fire, snow - but adamantly refuses to divulge what they mean, as he feels that would impose his own meaning onto the audience. At times cagey and resistant to interviewers, Tarkovsky nevertheless reveals his vision and his rigorous devotion to his art. 　　The film also includes footage of a Tarkovsky lecture to young film students in which he expresses his thoughts on modern cinema. Tarkovsky's widow Larissa is also interviewed. Contains no original Tarkovsky footage/interviews.

Beyond the edges of the frame influential filmmaker Andrei Tarkovsky give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another. 　　Broadcast on BBC2 Arena, 13 March 1987. Contains interview footage with Tarkovsky as he discusses each of his seven major films. He also talks about his world-view and his philosophy of filmmaking. 　　Tarkovsky candidly and articulately discusses the difficulties of making films under the censors of the Soviet Union. He explores his aesthetic ideology, filmmakers he admires, and his eventual self-exile from Russia. He talks about recurring images in his movies - water, horses, fire, snow - but adamantly refuses to divulge what they mean, as he feels that would impose his own meaning onto the audience. At times cagey and resistant to interviewers, Tarkovsky nevertheless reveals his vision and his rigorous devotion to his art. 　　The film also includes footage of a Tarkovsky lecture to young film students in which he expresses his thoughts on modern cinema. Tarkovsky's widow Larissa is also interviewed. Contains no original Tarkovsky footage/interviews.

＃ 朱可奈对大魔王：邪恶的大魔王想要国王的命，于是国王向朱可奈求助。在两人商谈的时候，大魔王出现了，但对于朱可奈而言，对付什么魔王都只是小菜一碟…… 　　＃ 朱可奈对希奥蕾塔大小姐：为了登上魔女界的顶峰，佛拉瓦兹家的千金大小姐希奥蕾塔四出向魔女挑战，而这次的目标正是朱可奈…… 　　＃ 朱可奈与可可露：朱可奈的妹妹可可露要到朱可奈家里玩了，看上去可爱乖巧的可可露，其实内里有一点异于常人……

＃ 魔鬼圣诞老人想要杀死圣诞老人，而朱可奈刚好遇上此事，她到底会怎样帮助圣诞老人呢？ 　　＃ 朱可奈帮助了饿昏的路人，路人为了答谢而把三盏祖传油灯送给朱可奈，而这些油灯竟然就是传说中的神灯…… 　　＃ 一日朱可奈家来了个想求助的人，而她居然是大人气偶像气仙沼姬子！原来姬子最近受到神秘人的恐吓……

＃ 朱可奈去南方岛屿：可可露抽到了头等奖，因此朱可奈一行人去到南方岛屿旅行，当然这次旅行也一样不平常…… 　　＃ 朱可奈对名侦探：丸井社长收到了恐吓信，于是便找朱可奈帮忙，而此时名侦探空智五五郎出现。为了看看谁才适合接下委托，朱可奈与名侦探展开了对决……

This outstanding documentary journeys from Los Angeles to rural Russia to investigate Tarkovsky's legacy through encounters with those who collaborated with him. Included are candid memories of the great filmmaker by his son, and reminisces by Bergman-regular Erland Josephson about appearing in The Sacrifice, Tarkovsky's final film. The film eventually lands in the forgotten city of Yurevets, where Tarkovsky spent parts of his childhood, including the years during World War II. The film offers a touching, highly personal and provocative record of the lingering effects of Tarkovsky on an extraordinary range of individuals.

片名取自阿茲納 (Dorothy ARZNER) 的同名長片作品，透過情色想像的挪移置入，賦予當代的詮釋視角。片中角色由美國極具代表性的實驗團體「伍斯特劇團」成員所飾，以狂蕩不羈的語彙描述性幻想與色情片觀影經驗，也記錄下紐約色情電影院的繁榮景象。本片預示貝蒂・戈登日後的創作轉向，並成為《情色戲院》的發想雛形。

片名取自阿茲納 (Dorothy ARZNER) 的同名長片作品，透過情色想像的挪移置入，賦予當代的詮釋視角。片中角色由美國極具代表性的實驗團體「伍斯特劇團」成員所飾，以狂蕩不羈的語彙描述性幻想與色情片觀影經驗，也記錄下紐約色情電影院的繁榮景象。本片預示貝蒂・戈登日後的創作轉向，並成為《情色戲院》的發想雛形。