现代中医苏意染穿越成被权臣陷害的废后，遭皇上南宫墨打入冷宫。她不甘受冤，凭借化妆术潜伏宫中，以宫女身份暗中调查真相。苏意染的现代思维与医术屡屡 “掉马”，治瘟疫、救皇子等举动既化解宫廷危机，也让南宫墨对这个特别的 “宫女” 产生好奇。两人在交锋中误会渐消，情愫渐生，还一同对抗谋权的王爷与后宫势力。

现代中医苏意染穿越成被权臣陷害的废后，遭皇上南宫墨打入冷宫。她不甘受冤，凭借化妆术潜伏宫中，以宫女身份暗中调查真相。苏意染的现代思维与医术屡屡 “掉马”，治瘟疫、救皇子等举动既化解宫廷危机，也让南宫墨对这个特别的 “宫女” 产生好奇。两人在交锋中误会渐消，情愫渐生，还一同对抗谋权的王爷与后宫势力。

京城闻名的纨绔子弟风清浅，终日流连青楼，不学无术，却鲜有人知的其实为女儿身。容千尘身为大燕战神，驻守边疆八年，归来时身中寒毒。风清浅为掩盖身份，被迫留在王府为容千尘解毒，两人在交锋中渐生情愫。

京城闻名的纨绔子弟风清浅，终日流连青楼，不学无术，却鲜有人知的其实为女儿身。容千尘身为大燕战神，驻守边疆八年，归来时身中寒毒。风清浅为掩盖身份，被迫留在王府为容千尘解毒，两人在交锋中渐生情愫。

空荡荡的剧场内，只有一名面色苍白的红发少女孤零零地坐在观众席上。舞台上上演着温馨的三口之家的戏剧，男人和女人朗声欢笑，婴儿车里的小娃娃呱呱而泣。女孩面对这温馨的一幕，反而感觉内心无比凄凉。她恍惚间坠入了万丈深渊，不断下沉，上方母亲伸出关爱的双手，但她已无力去握住母亲，兀自沉沦。当她再度醒来，发现自己正躺在舞台的正中央，婴儿用全不匹配的冰冷目光注视着她，而孩子的爸爸妈妈则有如丧失了灵魂的僵尸，杀气腾腾地向她逼近。 　　女孩跑出剧场，城市已成废墟，满目疮痍。父母离异后，她的整个世界就此崩塌……

Production Co: Studio Se-Ma-For 　　Short art film from Polish Animator Piotr Dumala. Created 1988. Credits. Direction, Animation and Writt ing - Piotr Dumala. Cinematography - Grzegorz Swietlikowski Music - Przemyslaw Gintrowski Won Best Score and the Golden Dragon award at Cracow Film Festival 1988. Won Best film Between 5 - 10 minutes at Ottawa International Animation Festival 1988.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. 　　His path is open - at least as far as the next wall... 　　A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 　　1966 Special Prize, London 　　1966 First Prize, San Francisco 　　1966 First Prize, Belgrade 　　1966 Honorary Diploma, Locarno 　　1966 City of Zagreb Award 　　1966 Special Diploma, Bergamo 　　1966 First Prize, Mamaia

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 　　本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。