“我必忠实执行合众国总统职务，竭尽全力，恪守 维护和捍卫合众国宪法。”这是每一位美国总统在就职前都要进行的宣誓。当你听到这些庄严的誓言，你有没有想过，是什么让他们能够踏入白宫，坐拥美国的政治、军事力量呢？虽说任何一个人都能成为美国总统，但总统可不是谁都能当的。本片将会为你展现总统选举这场秘密游戏的内幕，历数美国各届总统的选举历程。这个故事关于领导者应有的品质，他们既要有男子气概还要感情丰富，既要有突出个性还要平淡无奇。除了叱咤政坛那光鲜亮丽的一面，总统在家里又是怎样的形象呢？在这里，你会找到答案

Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and suddenly descends into pure, soundless whiteness. Only by way of its defects is the medium of film made tangible. The flaws in the system – blisters, scratches, distortions and cracks – overwhelm and overlay the narrative, shatter the illusion and give rise to a richly ambiguous, new story. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14625

Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and suddenly descends into pure, soundless whiteness. Only by way of its defects is the medium of film made tangible. The flaws in the system – blisters, scratches, distortions and cracks – overwhelm and overlay the narrative, shatter the illusion and give rise to a richly ambiguous, new story. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14625

Isa et Gaby, un couple de quadragénaires, parents de 3 enfants de 8 à 16 ans, s'efforcent d'être à la hauteur de leur tâche, tout en jonglant avec leurs devoirs conjugaux. Au programme, des désaccords, des ratés et des ruses inavouables pour parvenir à leurs fins. 　　http://www.allocine.fr/series/ficheserie-12101/saison-22260/

Personnel / Personel 　　1975, released Jan. 13, 1976, Poland, TV film 　　16 mm, color, 70 min 　　Director: Krzysztof Kieslowski 　　Screenplay: Krzysztof Kieslowski 　　Cinematography: Witold Stok 　　Music: „Aida”, Giuseppe Verdi, performed by Orchestra of the Grand Theatre and Opera in Warsaw 　　Art Director: Tadeusz Kosarewicz 　　Music arranged by: Michal Zarnecki 　　Production Company: Tor Film Studio, Warsaw, Poland 　　Cast: Juliusz Machulski (future film director, as Romek), Irena Lorentowicz, Wlodzimierz Borunski, Michal Tarkowski (Sowa), Andrzej Siedlecki (Andrzej), Tomasz Lengren, Tomasz Zygadlo, Janusz Skalski, and others. 　　Kieslowski’s first feature-length film is ostensibly about the theater’s anonymous backstage workers: the tailors, painters, modelers. They are creative individuals devoted to their work and vital to a theater’s success. But given the traditional cult of the actor, these craftsmen are underestimated by actors and audience alike. The film’s protagonist, Romek, is a student at a theater technical college. A sensitive young man fascinated by the magic of theatrical art, he finds his first job in the tailoring workshop of the opera. Quickly confronted with the reality behind the scenes - the bickering, petty jealousies, vindictiveness and corruption - his illusions are shattered. His elder colleague, the tailor Sowa, finds himself targeted by an hysterical actor, and socio-political organizations in the theater want to use Romek against Sowa. Kieslowski’s made-for-television microcosm of the society at large, and an early exploration of moral choice in the workplace. 　　Awards: 　　1975 Mannheim (International Film Week) – Grand Prix 　　1975 Mannheim (International Film Week) – International Catholic Film Award 　　1975 Andrzej Munk Award (of the National Film, Television and Theatre School in Lodz) 　　1976 Gdansk (in Gdynia since 1986) (Polish Feature Films Festival) – Best TV Film 　　1976 Gdansk (in Gdynia since 1986) (Polish Feature Films Festival) – Journalists Award for Best TV film 　　1976 „Golden Camera” (from "Film" magazine) - Best Feature Director’s debut of 1975 　　1976 Koszalin (Koszalin Film Meetings "The Young & Film") - Grand Prix "Great Jantar" 　　1979 Lagow (LLF) – Grand Prix „ Golden Grape Cluster” 　　Download Link 　　http://rapidshare.com/files/112091291/Personel__Krzysztof_Kieslowski_1975_.part1.rar 　　http://rapidshare.com/files/112091964/Personel__Krzysztof_Kieslowski_1975_.part2.rar 　　http://rapidshare.com/files/112092060/Personel__Krzysztof_Kieslowski_1975_.part3.rar 　　http://rapidshare.com/files/112091797/Personel__Krzysztof_Kieslowski_1975_.part4.rar 　　http://rapidshare.com/files/112092069/Personel__Krzysztof_Kieslowski_1975_.part5.rar 　　http://rapidshare.com/files/112092150/Personel__Krzysztof_Kieslowski_1975_.part6.rar 　　http://rapidshare.com/files/112091917/Personel__Krzysztof_Kieslowski_1975_.part7.rar 　　http://rapidshare.com/files/112085546/Personel__Krzysztof_Kieslowski_1975_.part8.rar

讲述接收到上级命令前往调查北朝鲜大规模杀伤性武器的南韩特工的惊心动魄的故事...

在世代交换之时，据说会有一个造成世间动乱的“霸者之首”。这个东西从秦代以来流传下来，并且让想要争夺霸权的人们不停争斗着。时间来到了动乱的幕末。位于正在吹起异国风潮的横滨之地，出现一个剑士。他的名字叫作秋月耀次郎。手上握有灵剑“月泪刀”，也是以封印霸者之首为使命而被叫作“永远的刺客”的人。过去他曾担任坂本龙马的保镖，但对于未能拯救他而感到深深懊悔的秋月，为了治愈心伤而一个人寻找在幕末苏醒的“霸者之首”。他在一场争斗中因为救了一对孩子，而和以“报仇”为目的而到处旅行的剧团一座相遇。一座的仇敌－中居屋重兵卫正握有“霸者之首”。于是为了找到首级的耀次郎和剧团们因此卷入了阴谋的漩涡之中。

——虽然很突然，但世界已经灭亡了。 1000年前一度毁灭的地球，由名为“Y”的传说中的时钟技师以时钟装置再构筑而成的世界。 吊车尾高中生·见浦直人，与“Y”所留下的自动人偶琉珠，以及天才时钟技师少女·玛丽相遇了。 当他们的能力相互咬合时，命运的齿轮开始转动。 不断重复破裂与延命，将即将崩坏的地球（“时钟机关之星”）修复的时钟朋克·幻想剧！

A seemingly perfect romance that turns violent and sends the woman in the relationship into hiding, while also working with police to bring her former flame to justice.

濱海公路旁，三個女人撐起檳榔攤，從挽面到挽菜，有時打手機，有時打手槍。用手活撐起生活。嚥氣啦，撩落去，影像生猛粗厲，當世界如公路旁浪花漸逼來，看女人相牽手成千手觀音，別讓命運決定掌紋。