大学生秋叶章太郎收到了神祕之死的恩师的行李，那是全自动的等身大美少女女佣机器人玛丽亚，社会上，为了供养男人而着手犯罪的女性激增，在幕后操纵的是邪恶天才植草教授，植草命令13臺帅哥男招待机器人，勾引女人为了打倒男招待机器人，需要启动玛丽亚的恋爱回路...

大学生秋叶章太郎收到了神祕之死的恩师的行李，那是全自动的等身大美少女女佣机器人玛丽亚，社会上，为了供养男人而着手犯罪的女性激增，在幕后操纵的是邪恶天才植草教授，植草命令13臺帅哥男招待机器人，勾引女人为了打倒男招待机器人，需要启动玛丽亚的恋爱回路...

20多岁的女性情结！患有表面主义的智允，社交生活困难的敏济和安慰她们的端庄的多莉。三个朋友共同努力，克服了自己的困境。

20多岁的女性情结！患有表面主义的智允，社交生活困难的敏济和安慰她们的端庄的多莉。三个朋友共同努力，克服了自己的困境。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

安利科是叱吒业界的王牌顾问，他总是有办法说服废柴高层交棒，拯救大企业于水火。表面呼风唤雨的安利科，私下严谨孤行，不愿重蹈父亲抛家弃子的覆辙。然而独来独往的平静生活，却被误闯空门的异国美女亚莉诺打破。来历成谜的亚莉诺，举手投足都撼摇著安利科的定见。同时间，一家跨国集团的经营者意外骤逝，让安利科首次接触到稚嫩富二代的良善，也深刻体认到金权结构对社会的贻害，决心有所改变。 　　一个女人、两个孩子，彷彿家庭原型从天而降，于公于私让安利科起了变化。什麽叫成功？安利科不再犹豫。他站在人生的巅峰，看著眼前豪迈的下坡，真正的挑战正式开始！

安利科是叱吒业界的王牌顾问，他总是有办法说服废柴高层交棒，拯救大企业于水火。表面呼风唤雨的安利科，私下严谨孤行，不愿重蹈父亲抛家弃子的覆辙。然而独来独往的平静生活，却被误闯空门的异国美女亚莉诺打破。来历成谜的亚莉诺，举手投足都撼摇著安利科的定见。同时间，一家跨国集团的经营者意外骤逝，让安利科首次接触到稚嫩富二代的良善，也深刻体认到金权结构对社会的贻害，决心有所改变。 　　一个女人、两个孩子，彷彿家庭原型从天而降，于公于私让安利科起了变化。什麽叫成功？安利科不再犹豫。他站在人生的巅峰，看著眼前豪迈的下坡，真正的挑战正式开始！

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)