To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

极寒末世前三天，我重生归来。上辈子，我收留抚养我长大的大伯一家避难，他们却为抢食物杀了我的狗，将我赶出别墅冻毙。如今知晓他们也已重生，我不再心软，一边疯狂囤物资、加固别墅，一边筹划复仇，誓要让这帮白眼狼付出代价。不料，刚准备回租房，竟听到里面传来大伯一家的熟悉声音。

极寒末世前三天，我重生归来。上辈子，我收留抚养我长大的大伯一家避难，他们却为抢食物杀了我的狗，将我赶出别墅冻毙。如今知晓他们也已重生，我不再心软，一边疯狂囤物资、加固别墅，一边筹划复仇，誓要让这帮白眼狼付出代价。不料，刚准备回租房，竟听到里面传来大伯一家的熟悉声音。

2024年夏天，西岸。拉希德是一位电子游戏开发者，他试图在以色列军队的突袭和加沙的战争中抚养他的两个儿子。在夜晚，他创造的游戏里，父母们再也无法保护他们的孩子。

2024年夏天，西岸。拉希德是一位电子游戏开发者，他试图在以色列军队的突袭和加沙的战争中抚养他的两个儿子。在夜晚，他创造的游戏里，父母们再也无法保护他们的孩子。

A marketing consultant, who has a psychological sensitivity to corporate symbols, is hired to seek the creators of film clips anonymously posted to the internet - before uncovering a larger conspiracy.

本片讲述了主人公刘梓豪因为不懂得包容他人与公司同事相处不融洽导致工作不顺心，也因为这样的个性失去了爱情，生动的教育了现代年轻人在于朋友同事相处时应该学会体谅他人，对待爱人也应该相亲相爱，树立一种正确的价值观。