【备注】年份 Unknown——资料上无，待仔细核对IMDb的资料——Vini_Kazma

【备注】年份 Unknown——资料上无，待仔细核对IMDb的资料——Vini_Kazma

宋襄做了严厉寒五年的地下情人，直到狗男人订了婚，她才醒悟，她楚氏千金，要不是为了狗男人，哪需要做个小秘书，谁知转身要离开时，狗男人突然伸手死死拉住她，襄襄，再给我一次机会。

宋襄做了严厉寒五年的地下情人，直到狗男人订了婚，她才醒悟，她楚氏千金，要不是为了狗男人，哪需要做个小秘书，谁知转身要离开时，狗男人突然伸手死死拉住她，襄襄，再给我一次机会。

这是一部都市刑侦剧，据悉，该剧于2019年11月11日在腾讯视频播出。香港机场特警组（ASU）是准军事化特种警察部队，主要责任是维持机场警区的公共及航空安…

2014年，巴西阿尔及利亚导演卡里姆·埃诺兹曾带着前作《未来海岸》来到柏林，并提名最佳影片。新片《中央机场》是一部关于柏林废弃机场THF（滕珀尔霍夫机场）的纪录片，讲述关于出发与到达的议题，以及那些来这里逃离日常生活的柏林人和那些终于“到达”于此的难民。

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

《兔子机场》是一部法国快节奏的喜剧。该片中的所有动物，甚至河马都能飞。奈德和弗雷德这对兔兄弟也会飞，只是他们的姿势没有其他人那样的优雅。奈德和弗雷德这对兔兄弟决定要开一个机场。他们兄弟俩在一群永不停息的飞行生物中，肩负着重大的则责。奈德总是把这些责任留给弗雷德，这样他就可以专注于想办法来让机场变得更有趣一些。幸运的是，他们的朋友总能够及时给予他们帮助。Cookie，一个爱八卦的小松鼠，拥有温暖而热情的声音；Moppet，一个精力充沛的青年鹿实习生；Hughes，一个聪明、多情、目光短浅、又令人费解的老狼。每当奈德和弗雷德让事情失控时，这群朋友总是会不惜一切代价，排除万难让机场回到正轨。

2014年，巴西阿尔及利亚导演卡里姆·埃诺兹曾带着前作《未来海岸》来到柏林，并提名最佳影片。新片《中央机场》是一部关于柏林废弃机场THF（滕珀尔霍夫机场）的纪录片，讲述关于出发与到达的议题，以及那些来这里逃离日常生活的柏林人和那些终于“到达”于此的难民。

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.