FOREIGN PARTS portrays a hidden enclave of auto shops and junkyards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants - where wrecks, refuse, and recycling form a thriving commerce - as it struggles for daily survival and contests New York City's development scheme.

FOREIGN PARTS portrays a hidden enclave of auto shops and junkyards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants - where wrecks, refuse, and recycling form a thriving commerce - as it struggles for daily survival and contests New York City's development scheme.

导演米里亚姆·布利泽的科幻小说改编的电影《爱的组成部分》是她为德国柏林电影电视学院（DFFB）拍摄的毕业片，在爱、分离和心痛之间摇摆。苏菲和乔治曾经相爱过，但现在已经分开了。几乎整部电影都发生在柏林同一个门口。在一个椭圆的方式，个别的场景中的死亡，爱恩泽尔泰尔列比描绘了一个家庭，对他们来说，拼凑是一个新的正常的词-并采取一个简洁的看待日常不合理的爱。 　　The fiction film Die Einzelteile der Liebe (The Components of Love) by director Miriam Bliese was made as her graduation film for the German Film and Television Academy Berlin (dffb), and oscillates between love, separation, and heartache. Sophie (Birte Schnöink) and Georg (Ole Lagerpusch) once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes of Die Einzelteile der Liebe portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.

导演米里亚姆·布利泽的科幻小说改编的电影《爱的组成部分》是她为德国柏林电影电视学院（DFFB）拍摄的毕业片，在爱、分离和心痛之间摇摆。苏菲和乔治曾经相爱过，但现在已经分开了。几乎整部电影都发生在柏林同一个门口。在一个椭圆的方式，个别的场景中的死亡，爱恩泽尔泰尔列比描绘了一个家庭，对他们来说，拼凑是一个新的正常的词-并采取一个简洁的看待日常不合理的爱。 　　The fiction film Die Einzelteile der Liebe (The Components of Love) by director Miriam Bliese was made as her graduation film for the German Film and Television Academy Berlin (dffb), and oscillates between love, separation, and heartache. Sophie (Birte Schnöink) and Georg (Ole Lagerpusch) once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes of Die Einzelteile der Liebe portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.

Simon Schaffer教授讲述18世纪的工匠用发条机械制作出巧夺天工的自动机械人。6000个零件组装的可编程写字小孩，200个活动人偶的城市模型。自动机械装置从发明伊始就开始给我们生活带来了革命性改变，从发条钟表到发条人偶，八音盒等凝注了设计者的精巧用心....

Simon Schaffer教授讲述18世纪的工匠用发条机械制作出巧夺天工的自动机械人。6000个零件组装的可编程写字小孩，200个活动人偶的城市模型。自动机械装置从发明伊始就开始给我们生活带来了革命性改变，从发条钟表到发条人偶，八音盒等凝注了设计者的精巧用心....

一头牛很有冲击力地打破了命运的平衡…… 2010年罗马漫画上涌：国际电视和跨媒体动画节 2010年德国波茨坦Sehsuchte电影节 2010年德国斯图加特国际动画电影节 2010年德国什未林Meckenburg-Vorpommern电影艺术节 2010年意大利蒙塞利切Euganea短片及纪录片电影运动节 2010年柏林第一步奖

一头牛很有冲击力地打破了命运的平衡…… 2010年罗马漫画上涌：国际电视和跨媒体动画节 2010年德国波茨坦Sehsuchte电影节 2010年德国斯图加特国际动画电影节 2010年德国什未林Meckenburg-Vorpommern电影艺术节 2010年意大利蒙塞利切Euganea短片及纪录片电影运动节 2010年柏林第一步奖

“Mr. Tsuguö Yanaï makes paper objects. He installs these objects in a gallery in Tokyo. The camera was also installed in the gallery. It filmed all of the time of installation and its preparation… Yet the film is not the documentary of an installation, but of installation time.” - Yo Ota

“Mr. Tsuguö Yanaï makes paper objects. He installs these objects in a gallery in Tokyo. The camera was also installed in the gallery. It filmed all of the time of installation and its preparation… Yet the film is not the documentary of an installation, but of installation time.” - Yo Ota