The world of early 19th century England is usually seen through the eyes of Jane Austen and the Brontë sisters. Sue Perkins explores a dramatically different version of this world, as lived and recorded by the remarkable Anne Lister. 　　Anne was born in Halifax in 1791. A Yorkshire landowner, she was a polymath, autodidact and traveller who kept a detailed diary. Running to more than 4,000,000 words, the work ranks as one of the most important journals in English literature. Parts of Anne's epic diary were written in code: once deciphered they reveal graphic details of Anne's many love affairs with women. 　　Sue discovers that Anne was able to follow her sexual preferences in relative peace. It was only when she sought to profit from the Industrial Revolution by sinking a coal mine on her land that criticism of her private life became public. Anne acquired the capital for the mine from a wealthy female landowner, Anne Walker, with whom she enjoyed a relationship as close to marriage as the times would permit. 　　Sue finds out that what happened to Anne Lister's diaries after her death is almost as remarkable as the story of Anne's life.

Ken Russell's Most Unusual Film 　　It is hard to believe that Ken Russell was able to get this one "green-lighted" for release by a major American distributer as it is quite simply one of the strangest films to ever grace a screen! Russell, ever the visionary, takes the not so off-target view that Franz Liszt the pop star of his day and then offers viewers a comic book version of the composer's life and relationship with several infamous women and, most importantly, Richard Wagner. This film must be seen to be believed! And is a definite must-see for all Russell fans. It will also be appreciated by Roger Daltrey fans as this one captures Daltrey in his prime! Interesting musical work by Rick Wakeman and great set designs. It would be so cool to see this on DVD with director commentary! ...Maybe some day.

Joe List focuses on his experiences with fatherhood, friendship, and daily life following the birth of his first child.

Pianist and composer Liszt was giving performances all over Europe and made his famous concert tour to St. Petersburg, Russia. Liszt's brilliant piano playing impressed the Russian royalty and aristocracy. Even the Russian Tsar had to stop talking when Liszt was playing his piano. Liszt became friends with the Russian composer Glinka. Liszt's beautiful music touched everyone's heart. Women pursued him and his lengthy affair with countess Marie D'Agoult was in trouble. In Russia Liszt met the beautiful princess Carolyne, who soon left her husband for Liszt . She became his last love, and he composed the "Dream of Love", dedicated to her. But the Chirch did not allow Liszt to marry princess Caroline, because she could not terminate her first marriage. Being loved by the public, Liszt was never really happy in his personal life, and he expressed himself making beautiful music.

故事发生在伦敦的汉普斯特富人区，艾米丽（黛安·基顿 Diane Keaton 饰）刚刚失去了她的丈夫。一次偶然中，艾米丽透过望远镜，发现有一个名叫唐纳德（布莱丹·格里森 Brendan Gleeson 饰）的流浪汉住在远处荒野中的一座棚屋里。渐渐的，艾米丽对这个男人产生了怜惜和兴趣。 　　艾米丽面临着很严峻的债务问题，当她向好友菲奥娜（莱丝利·曼维尔 Lesley Manville 饰）求助时，意外的得知，菲奥娜和她的丈夫，正在打着唐纳德所居住的那片高价土地的主意。于是，艾米丽决定挺身而出，帮助唐纳德捍卫他赖以生存的土地。经历了种种波折之后，两人总算找到了当年为唐纳德安装家具的邻居菲利普先生（詹姆斯·诺顿 James Norton 饰）为唐纳德作证。

故事发生在伦敦的汉普斯特富人区，艾米丽（黛安·基顿 Diane Keaton 饰）刚刚失去了她的丈夫。一次偶然中，艾米丽透过望远镜，发现有一个名叫唐纳德（布莱丹·格里森 Brendan Gleeson 饰）的流浪汉住在远处荒野中的一座棚屋里。渐渐的，艾米丽对这个男人产生了怜惜和兴趣。 　　艾米丽面临着很严峻的债务问题，当她向好友菲奥娜（莱丝利·曼维尔 Lesley Manville 饰）求助时，意外的得知，菲奥娜和她的丈夫，正在打着唐纳德所居住的那片高价土地的主意。于是，艾米丽决定挺身而出，帮助唐纳德捍卫他赖以生存的土地。经历了种种波折之后，两人总算找到了当年为唐纳德安装家具的邻居菲利普先生（詹姆斯·诺顿 James Norton 饰）为唐纳德作证。

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

人生就像一场持续学习的旅程，人们每天都会遭遇不同的问题，但并非每个问题都有标准答案，也没有一本教科书能解决所有难题。在成长过程中，父母、老师以及整个社会往往会向我们灌输一些“正确答案”，这让我们对不同事物逐渐形成了既定观念，然而这些观念真的正确吗？翻开《成人教科书》，主持人洪永城带领孩子们去经历各种校外体验。节目围绕“男女”“生死”等人生课题展开，让大家尝试打破对不同事物的固有认知框架，在探索中领悟答案。

人生是一趟不斷學習的旅程，大家每天會遇到不同的問題，可會每一個都有標準答案？又可有一本教科書能幫助各位解決全部問題？在成長的歷程中，父母、老師以至整個社會，多會向我們灌輸一些「正確答案」，也令大家對不同事物逐漸形成了既定觀念，但這些觀念可會真的正確？揭開這本《成人教科書》，主持洪永城引領孩子面對各種校外體驗。節目圍繞「男女」、「生死」等人生課題，讓大家嘗試打破對不同事物的固有框架，藉探索領略答案。