#好莱坞影讯# 莉莉·柯林斯将主演真人版[口袋波莉](Polly Pocket，暂译)。莉娜·邓纳姆自编自导，美泰与米高梅共同制作，柯林斯还将担任制片人。口袋波莉为美泰旗下的畅销玩具，曾被改编为动画剧集，此次真人电影将讲述一个年轻女孩与一个口袋大小的女人之间建立友谊的故事，柯林斯饰演主角口袋波莉。

#好莱坞影讯# 莉莉·柯林斯将主演真人版[口袋波莉](Polly Pocket，暂译)。莉娜·邓纳姆自编自导，美泰与米高梅共同制作，柯林斯还将担任制片人。口袋波莉为美泰旗下的畅销玩具，曾被改编为动画剧集，此次真人电影将讲述一个年轻女孩与一个口袋大小的女人之间建立友谊的故事，柯林斯饰演主角口袋波莉。

鲁本（本·斯蒂勒 Ben Stiller饰）的职业名称简直在讽刺他的性格——风险分析师。因为，鲁本是一个平凡甚至有点窝囊的人，不敢冒一丁点生活的险，可以说，他就像一辆僵直的列车，规规矩矩沿着铁轨开往人生终点。 　　这样的人，生活还是要给他一点打击。本来可以和新娶的老婆平平静静过两口子生活，不料蜜月期就遭到婚变，可怜的鲁本亲眼看到老婆和一个法国肌肉男缠绵悱恻。懦弱的他，默默的回到自己原本一个人的生活，过去的阴影令这个男人更加灰心。波莉（詹妮弗·安妮斯顿 Jennifer Aniston饰）的出现，在他糟糕的人生里投下了一缕明快的阳光。 　　波莉带着他尝试着这个世上种种的精彩之事，这些疯狂的举动，鲁本过去连想像的勇气的没有。如今，他像一个刚刚见识到世界如何缤纷多彩的孩子，在波莉的带领下重新发现了生活的乐趣，二人的爱意也在迅速萌芽。

鲁本（本·斯蒂勒 Ben Stiller饰）的职业名称简直在讽刺他的性格——风险分析师。因为，鲁本是一个平凡甚至有点窝囊的人，不敢冒一丁点生活的险，可以说，他就像一辆僵直的列车，规规矩矩沿着铁轨开往人生终点。 　　这样的人，生活还是要给他一点打击。本来可以和新娶的老婆平平静静过两口子生活，不料蜜月期就遭到婚变，可怜的鲁本亲眼看到老婆和一个法国肌肉男缠绵悱恻。懦弱的他，默默的回到自己原本一个人的生活，过去的阴影令这个男人更加灰心。波莉（詹妮弗·安妮斯顿 Jennifer Aniston饰）的出现，在他糟糕的人生里投下了一缕明快的阳光。 　　波莉带着他尝试着这个世上种种的精彩之事，这些疯狂的举动，鲁本过去连想像的勇气的没有。如今，他像一个刚刚见识到世界如何缤纷多彩的孩子，在波莉的带领下重新发现了生活的乐趣，二人的爱意也在迅速萌芽。

该剧讲述女主角洪珠时隔10年和前男友兼初恋的俊昊再次相遇后的浪漫喜剧。 　　由《又是吴海英》《内在美》《恋慕》宋贤旭导演执导，预计10月开机，共8集。

In the Sichuan mountains, a bird hunter recounts regional myths about the conflict between humans and gods that unfolds through their respective feigning of animality and humanity. These myths function as the subversive lens through which the film examines state imperialism’s impact on this contested territory’s cultural and economic practices, such as contriving bird gatherings for tourists to earn a living and being forced to make traditional flutes with scrap plastic instead of eagle bone. The film discerns in these tales the potential of shanzhai (counterfeit) to destabilise the power imbalance between ethnic minorities and the state.

what can i say...要想了解60年代的法国时尚前卫文化，首看此片，再看《ANNA》。 　　Too bad this European cult film of the Sixties, written and directed by an American whose photo documentary reportage on New York, Rome, and Tokyo is legendary, is all but impossible to track down here in North America. After years of fruitless searching I finally attended two screenings at the Whitney Museum of Art in 1997. The main draw in this film for me was Grayson Hall, who portrays Miss Maxwell, Editor of Vogue magazine--a character so closely based on Director William Klein's former boss Diana Vreeland, it's amazing Vreeland didn't sue for libel. Grayson Hall was flown over specially from America to do this. Try to get the original French language version--she spoke French and her accent, and delivery, are priceless. (She referred to the experience acerbically as "Hell, honey!") The film's eponymous star Dorothy MacGowan was chosen at random from a crowd shot of Beatles girls welcoming the Fab Four at a New York airport. MacGowan stands at the center of a wildly gyrating scenario that satirizes pretty much everything in mid Sixties French society that is or isn't nailed down--politics, fashion, the media, the idealization of rural life and French traditions--taking frequent detours into fantasy sequences and even including some animated segments that must have helped inspire the animated interludes in the original Monty Python series. The score by Michel Legrand has some brilliant moments, particularly during the opening sequence featuring sheet metal fabricated fashions; the rest of the film never quite lives up to the promise of this inaugural tour de force. 　　Still, as a time capsule of Sixties effulgence, it's well worth tracking down. Let's hope somebody "rediscovers" it and brings it out on video, pronto! With the original letterbox ratio, bien sur.

what can i say...要想了解60年代的法国时尚前卫文化，首看此片，再看《ANNA》。 　　Too bad this European cult film of the Sixties, written and directed by an American whose photo documentary reportage on New York, Rome, and Tokyo is legendary, is all but impossible to track down here in North America. After years of fruitless searching I finally attended two screenings at the Whitney Museum of Art in 1997. The main draw in this film for me was Grayson Hall, who portrays Miss Maxwell, Editor of Vogue magazine--a character so closely based on Director William Klein's former boss Diana Vreeland, it's amazing Vreeland didn't sue for libel. Grayson Hall was flown over specially from America to do this. Try to get the original French language version--she spoke French and her accent, and delivery, are priceless. (She referred to the experience acerbically as "Hell, honey!") The film's eponymous star Dorothy MacGowan was chosen at random from a crowd shot of Beatles girls welcoming the Fab Four at a New York airport. MacGowan stands at the center of a wildly gyrating scenario that satirizes pretty much everything in mid Sixties French society that is or isn't nailed down--politics, fashion, the media, the idealization of rural life and French traditions--taking frequent detours into fantasy sequences and even including some animated segments that must have helped inspire the animated interludes in the original Monty Python series. The score by Michel Legrand has some brilliant moments, particularly during the opening sequence featuring sheet metal fabricated fashions; the rest of the film never quite lives up to the promise of this inaugural tour de force. 　　Still, as a time capsule of Sixties effulgence, it's well worth tracking down. Let's hope somebody "rediscovers" it and brings it out on video, pronto! With the original letterbox ratio, bien sur.

波莉、夏妮和莱拉是好朋友。有一天，波莉从奶奶那里得到了一个吊坠盒，从此她拥有了一种超能力——能把自己和他人变得像衣服口袋那样大小！三个孩子的生活一下子精彩起来了，各种趣事轮番上演！

以鹿晗为核心，“鹿饭”为半径，共同画一个帅气的圆~360度看偶像，你见过的鹿晗，你没见过的鹿晗，看到你停不下来！想知道更多？Ready，go，开启舔屏模式~记得叫上小伙伴一起来！