2位顶流音乐人召集30位才华顶满的rapper来到绝美三亚海边，在两周内来一场“说唱创业”，全新打造一个LIVE HOUSE，平日自负盈亏，经营店铺，同时还要策划并举办3场最爆裂、最酷炫的沙滩LIVE公演，音乐人将在这里全凭自身奋斗和才华，解锁通往说唱世界的船票。

2位顶流音乐人召集30位才华顶满的rapper来到绝美三亚海边，在两周内来一场“说唱创业”，全新打造一个LIVE HOUSE，平日自负盈亏，经营店铺，同时还要策划并举办3场最爆裂、最酷炫的沙滩LIVE公演，音乐人将在这里全凭自身奋斗和才华，解锁通往说唱世界的船票。

留守老人李秀琴和孙女张瑶瑶以及小狗来福在农村相依为命，立冬这一天，李秀琴满心欢喜等待儿子张福泽和儿媳林曼玉回来团聚，只是没想到，两人刚到家就告知李秀琴，要将张瑶瑶带回城里生活，张瑶瑶不愿，生气跑出门却意外被人贩子拐走，李秀琴、张福泽和林曼玉苦寻无果，聪明机智的来福却发现了瑶瑶的信息，并不停暗示几人......

留守老人李秀琴和孙女张瑶瑶以及小狗来福在农村相依为命，立冬这一天，李秀琴满心欢喜等待儿子张福泽和儿媳林曼玉回来团聚，只是没想到，两人刚到家就告知李秀琴，要将张瑶瑶带回城里生活，张瑶瑶不愿，生气跑出门却意外被人贩子拐走，李秀琴、张福泽和林曼玉苦寻无果，聪明机智的来福却发现了瑶瑶的信息，并不停暗示几人......

莱蒙在片中饰演一名电视摄影师，在一场足球赛转播中意外受伤住院。马修是一个坏点子特别多的律师，为了藉机诈骗保险金，马修要求莱蒙装成重伤的样子，不料却牵引出一连串意料未及的麻烦

莱蒙在片中饰演一名电视摄影师，在一场足球赛转播中意外受伤住院。马修是一个坏点子特别多的律师，为了藉机诈骗保险金，马修要求莱蒙装成重伤的样子，不料却牵引出一连串意料未及的麻烦

From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.

From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.

Biggie & Tupac is a 2002 feature-length documentary film about slain rap icons The Notorious B.I.G. and Tupac Shakur, made by Nick Broomfield. It is an investigation of the deaths of the two icons, which some people claim were orchestrated by Suge Knight, head of Death Row Records. Collusion on behalf of the LAPD is also examined. 　　While the film remains inconclusive, when asked "Who killed Tupac?" in a BBC Radio interview dated March 7, 2005, Broomfield stated (quoting Snoop Dogg) "The big guy next to him in the car... Suge Knight."

Biggie & Tupac is a 2002 feature-length documentary film about slain rap icons The Notorious B.I.G. and Tupac Shakur, made by Nick Broomfield. It is an investigation of the deaths of the two icons, which some people claim were orchestrated by Suge Knight, head of Death Row Records. Collusion on behalf of the LAPD is also examined. 　　While the film remains inconclusive, when asked "Who killed Tupac?" in a BBC Radio interview dated March 7, 2005, Broomfield stated (quoting Snoop Dogg) "The big guy next to him in the car... Suge Knight."