This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

Regina Haywood 是纽约市警局在东纽约地区第 74 辖区的新任副警督，她想要帮助自己的社区，但首先她得向部下证明她适任这个工作。

故事发生在洛杉矶东区，迪哥（René Alvarado 饰）和皮德罗（David Berón 饰）是一对相恋多年的同性恋人，可是，皮德罗对于出柜的恐惧使得他们长久以来只能遮遮掩掩的生活，这让迪哥很是不满和沮丧。卫斯理（Steve Callahan 饰）和强森（Cory Schneider 饰）也是一对同性恋人，刚刚搬家到东区的他们以光明正大的作风在当地掀起了一股不小的浪潮。 　　随着时间的流逝，迪哥开始渐渐在意起了卫斯理的存在，而卫斯理同样特也被英俊的迪哥青睐有加。可是，情投意合的两人却并不能自由的享受恋情带来的幸福和快乐，一边是对于前男友的不舍的责任，一边是身份和地位带来的限制与非议，摆在迪哥和卫斯理面前的道路漫长又坎坷。

《东区人》（EastEnders）是一部英国电视肥皂剧，首次在1985年2月17日在英国广播公司第一台播出，持续至今。《东区人》讲述了在伦敦伦敦东区虚构的伦敦Borough of Walford阿伯特广场周围的居民的故事。 Albert Square是一个维多利亚广场，包括排屋和其邻近的街道，即桥街、特平道和乔治街，其中包括一个酒吧、超市、夜总会、社区中心，慈善商店、咖啡馆和各种小型企业，还有一个公园和其他配套设施。

《东区人》（EastEnders）是一部英国电视肥皂剧，首次在1985年2月17日在英国广播公司第一台播出，持续至今。《东区人》讲述了在伦敦伦敦东区虚构的伦敦Borough of Walford阿伯特广场周围的居民的故事。 Albert Square是一个维多利亚广场，包括排屋和其邻近的街道，即桥街、特平道和乔治街，其中包括一个酒吧、超市、夜总会、社区中心，慈善商店、咖啡馆和各种小型企业，还有一个公园和其他配套设施。