This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

庄灵《延》14min 年代1966 无对白 黑白影片 　　摄影大师庄灵于1965年与邱刚建、黄华成、李至善、刘大任等人创办《剧场》团体，在当时台湾政治上戒严、艺文界一片苦闷之际，翻译引介国外艺术思潮、举办各种艺术活动及创作，并以庄夫人陈夏生挂名发行人，出版九期的《剧场》杂志。虽在当时因社会讯息封闭，尚无法引起普罗大众的共鸣，但影响了当时那一辈文艺青年无数，现今在台湾艺文界占有一席之地的前辈们，无一不亲眼见证这段当时的风起云涌，左右当代台湾艺坛深远。本次发行影片中，《延》是庄灵的首次尝试，以其父母与怀孕妻子一天的生活为主干，隐含生命情感延续之意；《赤子》则纪录其长女出生至一岁半的种种，以赤子的眼光看台湾，微妙隐喻当时的政治社会环境。 （无声，原由陈耀圻导演配乐）

庄灵《延》14min 年代1966 无对白 黑白影片 　　摄影大师庄灵于1965年与邱刚建、黄华成、李至善、刘大任等人创办《剧场》团体，在当时台湾政治上戒严、艺文界一片苦闷之际，翻译引介国外艺术思潮、举办各种艺术活动及创作，并以庄夫人陈夏生挂名发行人，出版九期的《剧场》杂志。虽在当时因社会讯息封闭，尚无法引起普罗大众的共鸣，但影响了当时那一辈文艺青年无数，现今在台湾艺文界占有一席之地的前辈们，无一不亲眼见证这段当时的风起云涌，左右当代台湾艺坛深远。本次发行影片中，《延》是庄灵的首次尝试，以其父母与怀孕妻子一天的生活为主干，隐含生命情感延续之意；《赤子》则纪录其长女出生至一岁半的种种，以赤子的眼光看台湾，微妙隐喻当时的政治社会环境。 （无声，原由陈耀圻导演配乐）

过去曾经历过死亡的少女菜花，在某日的放学途中，于两个世界的交会之处遇上了一位少年，自此展开了一场奇妙的旅程