花心大萝卜俊胜（宋承宪饰）跟他的好朋友仁棋（车承元饰）互相交换传呼机，以便甩掉前女友晓英（李娜英饰）。有一天，俊胜收到仁棋女友敏贞（崔智友饰）给仁棋的讯息，而对她渐渐产生兴趣。俊胜向仁棋询问有关敏贞的事情，而仁棋对敏贞毫不关心，甚至另有女友。俊胜为敏贞打抱不平，跟仁棋大吵一架，而开始给敏贞发讯息……

花心大萝卜俊胜（宋承宪饰）跟他的好朋友仁棋（车承元饰）互相交换传呼机，以便甩掉前女友晓英（李娜英饰）。有一天，俊胜收到仁棋女友敏贞（崔智友饰）给仁棋的讯息，而对她渐渐产生兴趣。俊胜向仁棋询问有关敏贞的事情，而仁棋对敏贞毫不关心，甚至另有女友。俊胜为敏贞打抱不平，跟仁棋大吵一架，而开始给敏贞发讯息……

Love Is The Message, The Message Is Death is a new video by artist, director, and award-winning cinematographer Arthur Jafa. Set to the searing highs and lows of Kanye West’s gospel-inspired hip-hop track, “Ultralight Beam,” Love Is The Message is a masterful convergence of found footage that traces African-American identity through a vast spectrum of contemporary imagery. From photographs of civil rights leaders watermarked with “Getty Images” to helicopter views of the LA Riots to a wave of bodies dancing to “The Dougie,” the meticulously edited 7-minute video suspends viewers in a swelling, emotional montage that is a testament to Jafa’s profound ability to mine, scrutinize, and reclaim media’s representational modes and strategies. Alongside segments of familiar Black icons and historic events are also scenes featuring lesser known figures: anonymous bodies in various states of elation and despair. Excerpts from Jafa’s own stunning documentary film, Dreams are Colder than Death (2012) inflects a personal dimension to imagery mostly drawn from news media, television and the Internet. In this pointed inclusion, Jafa discloses both his vulnerability and authority as an artist—what it means to contribute to the vast and complex terrain of Black representation. While Love Is The Message poignantly embodies the artist’s desire to create a cinema that “replicates the power, beauty and alienation of Black Music,” it is also a reminder that the collective multitude defining Blackness is comprised of singular individuals, manifold identities and their unaccountable differences.

Love Is The Message, The Message Is Death is a new video by artist, director, and award-winning cinematographer Arthur Jafa. Set to the searing highs and lows of Kanye West’s gospel-inspired hip-hop track, “Ultralight Beam,” Love Is The Message is a masterful convergence of found footage that traces African-American identity through a vast spectrum of contemporary imagery. From photographs of civil rights leaders watermarked with “Getty Images” to helicopter views of the LA Riots to a wave of bodies dancing to “The Dougie,” the meticulously edited 7-minute video suspends viewers in a swelling, emotional montage that is a testament to Jafa’s profound ability to mine, scrutinize, and reclaim media’s representational modes and strategies. Alongside segments of familiar Black icons and historic events are also scenes featuring lesser known figures: anonymous bodies in various states of elation and despair. Excerpts from Jafa’s own stunning documentary film, Dreams are Colder than Death (2012) inflects a personal dimension to imagery mostly drawn from news media, television and the Internet. In this pointed inclusion, Jafa discloses both his vulnerability and authority as an artist—what it means to contribute to the vast and complex terrain of Black representation. While Love Is The Message poignantly embodies the artist’s desire to create a cinema that “replicates the power, beauty and alienation of Black Music,” it is also a reminder that the collective multitude defining Blackness is comprised of singular individuals, manifold identities and their unaccountable differences.

该节目将以“动摇你心的芳心俘获者（HEARTSHAKER）的惊人（AWESOME）一天”为主题，展开名流们的自拍真人秀，作为社交网站账号平均关注超50万的大V，艺人们也将在节目中亲自展现在美妆、美食、购物、旅游、健身等各个领域发布社交账号相关讯息的过程。此次参与的四位演出嘉宾将按照各自的生活方式确定不同的主题和频道名称，通过超精准的自拍设备拍摄内容后上传到社交网站上，节目中也将公开他们未在社交网站上公布的烦恼以及幕后故事，预计除这四位嘉宾外，节目后续也将会邀请更多的网络红人参与其中。

In 1984. Zeynep lives in Diyarbakir with their three children. Zeynep seems to be in daily routine. Zeynep is going to visit her husband in prison.

In 1984. Zeynep lives in Diyarbakir with their three children. Zeynep seems to be in daily routine. Zeynep is going to visit her husband in prison.

我们所遭遇到的是深刻的痛苦缺乏症，这对人类是毁灭性的。

四年后，萧衡终于出狱了，他故意避开了来接他的夏时笙，可是夏时笙不会逃避，她察觉到了萧衡入狱一定和自己有关，也想确认当年一直给自己送花的人是不是他。但萧衡想逃，因为他觉得已经配不上夏时笙了，而夏时笙却锲而不舍。

1919年，在共产主义者掌握匈牙利共和国政权后不出几个月，反革命的民族主义者就夺了权。警察和军队围剿反对派。以前的红军战士István Cserzi被追踪到农村。在发现那些女人秘密向婆婆和丈夫投毒后，作为农场的合法拥有者，István必须对自己的生活作出抉择。