Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 　　http://www.amazon.com/review/R2ZAX94P5JAV07/ref=cm_cr_rdp_perm

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 　　http://www.amazon.com/review/R2ZAX94P5JAV07/ref=cm_cr_rdp_perm

《姗姗来迟》讲述了主人公星司离开了女友三三，到另外一个城市追寻自己导演梦想的故事。在新的城市，星司成为了一名小导演却一心想拍出自己满意的作品。他有一个铁杆搭档阿鱼，还有一个好朋友——心怀表演梦想的“服务员七七”。迷惘的星司为了证明自己的能力，与混账上司打赌，要是自己的下一部作品仍然不能入围电影节就收拾东西滚蛋。但狡猾的上司克扣了拍摄的预算。在星司内心的英雄“赛文奥特曼”的激励下，排除万难的星司终于开机，却遭遇设备被盗，朋友阿鱼出走。“七七”为了唤起星司的信心，隐瞒了自己将放弃梦想回到家乡的事情，以一个演员的身份与星司排演了特摄片《赛文奥特曼》的经典片段。七七不辞而别，星司挥别了心中依赖的赛文奥特曼，实现了自我的成长。

《姗姗来迟》讲述了主人公星司离开了女友三三，到另外一个城市追寻自己导演梦想的故事。在新的城市，星司成为了一名小导演却一心想拍出自己满意的作品。他有一个铁杆搭档阿鱼，还有一个好朋友——心怀表演梦想的“服务员七七”。迷惘的星司为了证明自己的能力，与混账上司打赌，要是自己的下一部作品仍然不能入围电影节就收拾东西滚蛋。但狡猾的上司克扣了拍摄的预算。在星司内心的英雄“赛文奥特曼”的激励下，排除万难的星司终于开机，却遭遇设备被盗，朋友阿鱼出走。“七七”为了唤起星司的信心，隐瞒了自己将放弃梦想回到家乡的事情，以一个演员的身份与星司排演了特摄片《赛文奥特曼》的经典片段。七七不辞而别，星司挥别了心中依赖的赛文奥特曼，实现了自我的成长。

李庆海夫妇进城赚钱，将女儿李彤彤交给在老家的母亲李老太和弟弟李庆江照顾。但李老太因为重男轻女，处处虐待李彤彤，并因为一件小事，将李彤彤赶出门外，淋了大雨，导致李彤彤发烧。李庆江将其送到医院后，李老太又为了省钱，执意不打退烧针，导致李彤彤活活病死。与此同时，城里的李庆海夫妇，公司成功上市，喜悦之际，立刻动身回乡看望女儿。李彤彤病死次日，李庆江儿子，李老太的孙子，李宗耀刚好过生日，李老太在家为其举办了盛大的宴会，意外发现李彤彤已经死去，本想着瞒天过海，李庆海夫妻却刚好到家。情急之下，李老太和李庆江联合，多方哄骗、作伪，先冤枉同村的张老头，后联合医生共同欺骗，直到最后，在李庆海夫妇的不断追查之下，真相才水落石出。知道真相的李庆海夫妇悔不当初，并当场和两人断绝关系。

心中的妖魔鬼怪，皆无所遁形。一个拥有不错事业、美满爱情、生活平静的女人，烈日之下，一个以爱之名回来复仇的上司恶魔。二人交手，针尖对麦芒，她成了他的猎物。恶魔毁了她平静如水的生活，同时带来危险和毁灭性的刺激，她这才发现，原来自己天生好斗就喜欢不确定和危险的东西。随着《为你解感直播节目》的录制，男友出轨，她身边诡异事情不断，猎人和猎物的身份也在慢慢发生改变，谁赢了谁，未完还请待续。

心中的妖魔鬼怪，皆无所遁形。一个拥有不错事业、美满爱情、生活平静的女人，烈日之下，一个以爱之名回来复仇的上司恶魔。二人交手，针尖对麦芒，她成了他的猎物。恶魔毁了她平静如水的生活，同时带来危险和毁灭性的刺激，她这才发现，原来自己天生好斗就喜欢不确定和危险的东西。随着《为你解感直播节目》的录制，男友出轨，她身边诡异事情不断，猎人和猎物的身份也在慢慢发生改变，谁赢了谁，未完还请待续……

Milos Bikovic 和 Brankica Sebastijanovic 在看似不可能的情况下寻找真正爱情的激动人心浪漫故事。一座小镇上最符合单身族条件的年轻律师与一位贝尔格莱德陌生姑娘邂逅，然而这对年轻伴侣不了解在田园般爱情与幸福婚姻背后隐藏着怎样人生戏剧。