小津的男主角踏出了校园，问题学生冈岛如今是上班的白领，有妻子和一双儿女，一家四口倒算其乐融融。不幸东京仍是个失业之城。冈岛替同事抱不平遭老板辞退，一家子生计没有着落，唯有帮忙老师的餐馆当跑腿，却惹来妻子误解。

男はやっぱり生まれ、育ちに、お金。宮崎出身のOL三起子は、そんな夢多きミーハー娘。花の東京でトレンディな都会人との恋にあこがれている。BFの兼人は超イイ男だが島根出身と知り、がっかりする。そんな時、代官山生まれの大坪と知りあいルンルンとデートに出かけるのだが……。

KBS2新音乐综艺《合唱》是被称为“演唱之神”的歌手们聚在一起来寻找最合适合唱搭档。决定合适的搭档后，在演播室观众面前进行录影，通过比赛选出最好的二重唱。

This is a typical early Mrinal Sen film. Bold, brash and hammering home his political philosophy. The difference is in the treatment and the screenplay. This film uses the idiom of the absurd theatre to make its point - typical of Mohit Chattopadhyay's plays . Thus we have Robi Ghosh, in many a disguise, acting as the "Sutradhar" and delivering the political message. The film juxtaposes this stylisation and caricature with neo-realism and documentary sequences to say that the "Gods" or the capitalists really have feet of clay. there are too many people, too many problems and too few solutions. Ultimately, the film predicts the rise of the masses wheen the ruling capitalists will have to run and will become ineffective in the face of the upsurge that is waiting to happen. The allegorical treatment and stylisation notwithstanding, this is not a subtle film. None of the early films of Mrinal Sen were. It is an out and out political film meant to deliver a communist message. It predicts and even adulates anarchy. Still it is a film that makes you think and the collage of events, often unassociated, helps put through the underlying message. There was little scope of acting in this film and all the actors play their bit parts well. What is pleasing is the music by Ananda Shanker and Prashant Bhattacharya. Editing is also good, holding the film together and not letting it's basic theme lose its way among the myriad incidents. This is a film for the thinking individual, no matter that, at the end of it all, you are still unimpressed and still think that the philosophical content is too immature, too simplistic. Camerawork by KK Mahajan is outstanding. The film won the Golden Lotus for best film and best music in 1975.

KBS2全新音乐综艺《合唱》，节目中“演唱之神”级别的歌手们齐聚一堂，共同寻找最合拍的合唱搭档。确定合适的搭档后，他们将在演播室观众面前进行录制，并通过比赛角逐出最佳二重唱组合。

This is a typical early Mrinal Sen film. Bold, brash and hammering home his political philosophy. The difference is in the treatment and the screenplay. This film uses the idiom of the absurd theatre to make its point - typical of Mohit Chattopadhyay's plays . Thus we have Robi Ghosh, in many a disguise, acting as the "Sutradhar" and delivering the political message. The film juxtaposes this stylisation and caricature with neo-realism and documentary sequences to say that the "Gods" or the capitalists really have feet of clay. there are too many people, too many problems and too few solutions. Ultimately, the film predicts the rise of the masses wheen the ruling capitalists will have to run and will become ineffective in the face of the upsurge that is waiting to happen. The allegorical treatment and stylisation notwithstanding, this is not a subtle film. None of the early films of Mrinal Sen were. It is an out and out political film meant to deliver a communist message. It predicts and even adulates anarchy. Still it is a film that makes you think and the collage of events, often unassociated, helps put through the underlying message. There was little scope of acting in this film and all the actors play their bit parts well. What is pleasing is the music by Ananda Shanker and Prashant Bhattacharya. Editing is also good, holding the film together and not letting it's basic theme lose its way among the myriad incidents. This is a film for the thinking individual, no matter that, at the end of it all, you are still unimpressed and still think that the philosophical content is too immature, too simplistic. Camerawork by KK Mahajan is outstanding. The film won the Golden Lotus for best film and best music in 1975.

2015年中国金鸡百花电影节学院奖短片大赛（北京电影学院学院奖）优秀短片奖及最佳音响提名 2015年中国国际微电影大赛最具人气奖提名 入围2015年北京大学生电影节大学生原创影片大赛 2015年横店影视节——微电影单元“文荣奖”提名 这是关于一个曾在少年时对合唱活动留下心理创伤的大学生何一 明想要重新参加大学合唱比赛的故事。从彩排一开始，何一明遇到了曾与他一起长大的女孩吴婷婷，他内心深处想要忘记的黑暗经历也 随着病症的日趋严重而被重新唤醒，他们将共同面对这场不得不参加的合唱。 本片是2012级北京电影学 院导演系进修班毕业作业，但一直到2015年3月才完成，做为新导演的处女座，由于种种条件限制，导演不仅身为编剧，也完整负责了剪辑、特效等工作。

美术大学的学生佐伯有子打算坐飞机去大阪姐姐那里游玩。在候机室，她结识了名叫渋田昭七的男子，二人还假扮夫妇以折扣票价登上了飞机。有子的姐姐真冴是位寡妇，经营着一家名为“ど・とんぼり”的酒吧，她常得到丈夫的朋友、画廊经营者城戸的鼓励。而城戸面临着若不能在期限内还清借款，就得交出画廊的困境。有子得知此事后，主动前往金主、渋田布地问屋社长那里。巧的是，社长正是飞机上同座的渋田昭七。昭七虽对机灵的有子敬而远之，但却难以将她忘怀。有子成功地把画卖给了昭七的父亲，还让其对画廊进行了出资。“ど・とんぼり”酒吧凭借独特的企划大获成功。有子对欣赏她才华的昭七并不理会。有子接下来的目标是促成真冴和城戸结婚，并且打算让昭七的父亲担任媒人。

『夢のシネマ　東京の夢／明治の日本を映像に記録したエトランジェ　ガブリエル・ヴェール』は、1995年に映画誕生100年を記念して制作され、東京MXテレビ開局番組として放送された作品。最初の映画＝シネマトグラフを発明したフランスのリュミエール兄弟が、珍しい風物を記録するため世界中に派遣したカメラマンの1人、ガブリエル・ヴェールの生涯を彼自身が撮影した映像を交えて辿ると共に、吉田監督は誕生時に既に露呈していた映画の死を語る。