昭和10（1935）年，受P.C.L.音乐电影成功的影响，J.O. 制片厂策划了第一部作品《百万人的合唱（Chorus）》。当时，该片与在唱片行业发展势头迅猛的维克多（Victor）合作，目标是打造好莱坞风格的“音乐综艺电影”，片中启用了维克多专属的人气歌手。这对维克多来说也是绝佳的宣传机会，让那些仅靠唱片和广播为人所知的专属歌手们的“面容”和“歌唱姿态”在银幕上呈现，是最好的推广方式，这种合作能直接带动唱片销量。 导演富冈敦雄被社长大泽点名提拔。他曾担任日本首部有声音乐电影《夫人与妻子》（1931年·松竹蒲田·五所平之助）的副导演，一直在松竹蒲田的有声电影制作现场发挥重要作用。原作由J.O. 制片厂 - 维克多文艺部创作，维克多的……

老夫妻手握百万拆迁款假意落魄试探儿女，亲女儿冷眼旁观，养女倾囊相助。二老将财产赠予养女，亲女儿心生不满网暴诋毁。老人携证据当众澄清，女儿悔悟，姐妹携手开办驿站，阖家圆满。

《百万人推理》由《华灯初上》原班团队制作，鬼才新锐导演苏文圣执导、编剧，郑伊健、娄峻硕、李霈瑜、王柏杰、李李仁、陈妍霏、项婕如领衔主演，张永正、高英轩、周明宇、蔡凡熙、杨懿轩、詹怀云联合演出，超人气YouTuber阿翰、千千、琳妲、草爷以及铁牛客串演出，故事描述郑伊健与娄峻硕、李霈瑜联手侦查“网红连续杀人事件”，借由社群的推波助澜之下，演变成为百万人共同推理凶手的社会现象，烧脑剧情百转千回，考验观众的推理能力。预计2023年第一季隆重推出。

影片开场，美国的惠特妮正在庆祝自己的YouTube频道粉丝量惊人地突破了一百万。从她年幼时起，父母就定期在网上发布她的运动视频。随着时间推移，这些视频成了她继续投身竞技体育的重要资金来源。来自德国的亚拉是惠特妮的忠实粉丝之一。她自己的社交媒体账号也运营得十分出色：她编辑偶像的照片，虚构出一个想象中的双胞胎姐妹。《百万人中之一》以平行且独立的视角记录了这两个女孩的人生——对运动的热爱和社交媒体将她们联系在一起——并把她们的故事串联成一个整体。 何亚·托梅以敏锐的洞察力讲述了一个发生在数字时代的成长故事。影片起初，惠特妮和亚拉都还是孩子，随着剧情推进，她们逐渐成长为青少年，开始探寻自己的身份和生活方向。

KBS2新音乐综艺《合唱》是被称为“演唱之神”的歌手们聚在一起来寻找最合适合唱搭档。决定合适的搭档后，在演播室观众面前进行录影，通过比赛选出最好的二重唱。

This is a typical early Mrinal Sen film. Bold, brash and hammering home his political philosophy. The difference is in the treatment and the screenplay. This film uses the idiom of the absurd theatre to make its point - typical of Mohit Chattopadhyay's plays . Thus we have Robi Ghosh, in many a disguise, acting as the "Sutradhar" and delivering the political message. The film juxtaposes this stylisation and caricature with neo-realism and documentary sequences to say that the "Gods" or the capitalists really have feet of clay. there are too many people, too many problems and too few solutions. Ultimately, the film predicts the rise of the masses wheen the ruling capitalists will have to run and will become ineffective in the face of the upsurge that is waiting to happen. The allegorical treatment and stylisation notwithstanding, this is not a subtle film. None of the early films of Mrinal Sen were. It is an out and out political film meant to deliver a communist message. It predicts and even adulates anarchy. Still it is a film that makes you think and the collage of events, often unassociated, helps put through the underlying message. There was little scope of acting in this film and all the actors play their bit parts well. What is pleasing is the music by Ananda Shanker and Prashant Bhattacharya. Editing is also good, holding the film together and not letting it's basic theme lose its way among the myriad incidents. This is a film for the thinking individual, no matter that, at the end of it all, you are still unimpressed and still think that the philosophical content is too immature, too simplistic. Camerawork by KK Mahajan is outstanding. The film won the Golden Lotus for best film and best music in 1975.

KBS2全新音乐综艺《合唱》，节目中“演唱之神”级别的歌手们齐聚一堂，共同寻找最合拍的合唱搭档。确定合适的搭档后，他们将在演播室观众面前进行录制，并通过比赛角逐出最佳二重唱组合。

This is a typical early Mrinal Sen film. Bold, brash and hammering home his political philosophy. The difference is in the treatment and the screenplay. This film uses the idiom of the absurd theatre to make its point - typical of Mohit Chattopadhyay's plays . Thus we have Robi Ghosh, in many a disguise, acting as the "Sutradhar" and delivering the political message. The film juxtaposes this stylisation and caricature with neo-realism and documentary sequences to say that the "Gods" or the capitalists really have feet of clay. there are too many people, too many problems and too few solutions. Ultimately, the film predicts the rise of the masses wheen the ruling capitalists will have to run and will become ineffective in the face of the upsurge that is waiting to happen. The allegorical treatment and stylisation notwithstanding, this is not a subtle film. None of the early films of Mrinal Sen were. It is an out and out political film meant to deliver a communist message. It predicts and even adulates anarchy. Still it is a film that makes you think and the collage of events, often unassociated, helps put through the underlying message. There was little scope of acting in this film and all the actors play their bit parts well. What is pleasing is the music by Ananda Shanker and Prashant Bhattacharya. Editing is also good, holding the film together and not letting it's basic theme lose its way among the myriad incidents. This is a film for the thinking individual, no matter that, at the end of it all, you are still unimpressed and still think that the philosophical content is too immature, too simplistic. Camerawork by KK Mahajan is outstanding. The film won the Golden Lotus for best film and best music in 1975.

2015年中国金鸡百花电影节学院奖短片大赛（北京电影学院学院奖）优秀短片奖及最佳音响提名 2015年中国国际微电影大赛最具人气奖提名 入围2015年北京大学生电影节大学生原创影片大赛 2015年横店影视节——微电影单元“文荣奖”提名 这是关于一个曾在少年时对合唱活动留下心理创伤的大学生何一 明想要重新参加大学合唱比赛的故事。从彩排一开始，何一明遇到了曾与他一起长大的女孩吴婷婷，他内心深处想要忘记的黑暗经历也 随着病症的日趋严重而被重新唤醒，他们将共同面对这场不得不参加的合唱。 本片是2012级北京电影学 院导演系进修班毕业作业，但一直到2015年3月才完成，做为新导演的处女座，由于种种条件限制，导演不仅身为编剧，也完整负责了剪辑、特效等工作。