三立新八點華劇《我的極品男友》，是八點華劇首次以男生為主軸的故事。三位男主角林佑威、黃騰浩、簡宏霖將詮釋「型男20、30、40怎麼愛！」 　　三位男主角這次劇中演出三種「格差」戀情，「暖男」林佑威首次配對連俞涵，上演「小蘿莉愛大叔」，兩人將一起克服相差18歲愛的距離；「酷男」黃騰浩則是搭檔林逸欣，緣分悄悄的來臨，很ㄍ一ㄥ又愛好自由的黃騰浩是否能夠緊緊抓牢呢？而楊家小弟簡宏霖，受菁英教育長大，標準完美主義，將和林可彤不打不相識，兩人將上演「姐弟戀」苦苦糾纏，是否能夠拉近彼此距離呢？

三立新八點華劇《我的極品男友》，是八點華劇首次以男生為主軸的故事。三位男主角林佑威、黃騰浩、簡宏霖將詮釋「型男20、30、40怎麼愛！」 　　三位男主角這次劇中演出三種「格差」戀情，「暖男」林佑威首次配對連俞涵，上演「小蘿莉愛大叔」，兩人將一起克服相差18歲愛的距離；「酷男」黃騰浩則是搭檔林逸欣，緣分悄悄的來臨，很ㄍ一ㄥ又愛好自由的黃騰浩是否能夠緊緊抓牢呢？而楊家小弟簡宏霖，受菁英教育長大，標準完美主義，將和林可彤不打不相識，兩人將上演「姐弟戀」苦苦糾纏，是否能夠拉近彼此距離呢？

三立新八點華劇《我的極品男友》，是八點華劇首次以男生為主軸的故事。三位男主角林佑威、黃騰浩、簡宏霖將詮釋「型男20、30、40怎麼愛！」 　　三位男主角這次劇中演出三種「格差」戀情，「暖男」林佑威首次配對連俞涵，上演「小蘿莉愛大叔」，兩人將一起克服相差18歲愛的距離；「酷男」黃騰浩則是搭檔林逸欣，緣分悄悄的來臨，很ㄍ一ㄥ又愛好自由的黃騰浩是否能夠緊緊抓牢呢？而楊家小弟簡宏霖，受菁英教育長大，標準完美主義，將和林可彤不打不相識，兩人將上演「姐弟戀」苦苦糾纏，是否能夠拉近彼此距離呢？

三立新八點華劇《我的極品男友》，是八點華劇首次以男生為主軸的故事。三位男主角林佑威、黃騰浩、簡宏霖將詮釋「型男20、30、40怎麼愛！」 　　三位男主角這次劇中演出三種「格差」戀情，「暖男」林佑威首次配對連俞涵，上演「小蘿莉愛大叔」，兩人將一起克服相差18歲愛的距離；「酷男」黃騰浩則是搭檔林逸欣，緣分悄悄的來臨，很ㄍ一ㄥ又愛好自由的黃騰浩是否能夠緊緊抓牢呢？而楊家小弟簡宏霖，受菁英教育長大，標準完美主義，將和林可彤不打不相識，兩人將上演「姐弟戀」苦苦糾纏，是否能夠拉近彼此距離呢？

故事发生在二次大战的后方地区。佩珀-弗林特-巴斯比（雅各布-萨尔瓦地 饰演）是一个七岁的小男孩，他非常爱自己的父亲，他们在一起做的事情在他看来都是…

David and Eliab, two apprentice jockeys get to know each other between admiration, rivalry and jealousy.

This is the debut feature fillm by german director Roland Klick who made classics like SUPERMARKET and DEADLOCK. 　　In this debut Roland Klick is searching for the heart and ache of german society in portraying a middle class family in the 60's living in a suburbal area who are confronted with a crime which they don't understand. What comes to surface is a disability to be emotionally able to handle it so the family tries to hide it from society. 　　Before Haneke (in his latest film "the White Ribbon" some 40 years later) there was already somebody using the power of cinematic experience to express a feeling about german people and german society which is far from any psychological mumbojumbo that fails in answering questions like: why is there violence in general? why did all those horrible things in germany during WWII happen? "Buebchen" doesn't try to fool us with explanations because violence is something that comes from a place that can't be desribed with words - it overcomes you. 　　While recently Haneke was trying to fool us with possible reasons for the horrors of WWII this little piece here by Roland Klick brings the viewer closer to the topic by leaving the reasons out - this is a film about the consequences. 　　------------------------------------ 　　Synopsis 　　In a german suburb a babysitter is too busy with her own teenage business and leaves a boy with his little sister alone. Then the girl is missing. The only way the family and society are able to deal with the horror is to ignore it and hide the truth in the closet. 　　A sharp study of german middle class society in the late 60s.

A film looking at the past to warn about the future, from a little boy's point of view. A companion to ‘American Dreams (lost and found)’ (1984)